Subcontrabass Guitar - to build or not to build?
Hey all you musicians, and especially guitar players! I am currently planning the next version of my Prism Laser Guitar (vote for me if you like it!) and I need some opinions.
The next version will hopefully sound very much like a real guitar, not a synthesizer. It will also be capable of playing chords among other tricks the first version couldn't do. However, due to physical and monetary restraints, it will have to be a 4-string bass guitar of some sort. That's fine with me - I love bass!
So here's the idea: Unhindered by the physical limitations of a vibrating string, I am free to tune the bass as low as I want. I'm thinking of giving it a C#, F#, B, E tuning, with a bottom note of 17.5Hz. That's lower than pretty much any bass you can get, opening up a whole playground of super bass notes to drive neighbours up the wall. ;)
Is that something people would be interested in? Or should I stick to a standard bass tuning range?
The next version will hopefully sound very much like a real guitar, not a synthesizer. It will also be capable of playing chords among other tricks the first version couldn't do. However, due to physical and monetary restraints, it will have to be a 4-string bass guitar of some sort. That's fine with me - I love bass!
So here's the idea: Unhindered by the physical limitations of a vibrating string, I am free to tune the bass as low as I want. I'm thinking of giving it a C#, F#, B, E tuning, with a bottom note of 17.5Hz. That's lower than pretty much any bass you can get, opening up a whole playground of super bass notes to drive neighbours up the wall. ;)
Is that something people would be interested in? Or should I stick to a standard bass tuning range?

















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Really, there are so many effects pedal circuits out there that you could spend years building all of them. I suppose the trick is to only build the best of them. ;)
Schematic Heaven has individual schematics...
http://www.diystompboxes.com/smfforum/index.php?topic=60662.0
It might be more work, but it would add another dimension to the instrument and avoid having to make this difficult decision because you could do all of the options.
A great guitar is one that is versatile, and can handle pretty much any sound you want to produce. This versatility begins low since your making a bass guitar, which are difficult to get unique sound out of. That only makes it more important to make an instrument so people can noodle out any sound they wan't. Take the song NYC-25, by (one of my favorite bands) The Olivia Tremor Control. Listen to that magical base line, which carries the whole song on that funky beat. Now, that was a regularly tuned bass guitar. A... Subcontrabass would really only be good for making absurdly low, and somewhat mumbled riffs. If that is what you want, that's fine, but I think that you'd get a lot more interest and interesting sound out of a regularly tuned bass.