Wood bag dispenser box from Steve Harvey Miniatures, (my art work is precisely sized to fit these boxes). If you make your own, you will have to figure out how to size the art to fit. This box will last to hand down.
White primer and sandpaper to smooth the surfaces (I use Kilz).
Artwork; I use copyright free clip art for the most part, and when I use art from institutions like the Pompeii archeological site, I actually do quite a bit of altering and tweaking so that it fits the project. There are seven templates of art. Make more than one copy, preferably a color laserjet print, which is ready to use. TIPS: It really pays in saved labor to print your art on good quality paper. Cheap, thin paper tears very easily when damp. If you get the artwork printed at a copy place, ask for good paper and get more copies than you need in case of mistakes cutting.
The arch element (#22-010) stamp from Stamp Francisco,
A black permanent ink stamp pad (I used Brilliance Graphite Black),
Small sharp scissors,
Bone folder, not absolutely necessary but handy, for creasing paper
12” T square ruler,
A spray bottle of water that can make a fine mist (I use Judi Kins extra Fine Mist Spritzer), or a slightly damp sponge
Matt finish Mod Podge. White glue has too much water in it to be effective on color copies which repel water.
A good acrylic #10 square or filbert brush (any nylon brush that is about an inch wide will do) plus smaller detail brushes, a small round and small squared brush for painting shadows, and a thin squared brush about two inches wide, for painting on the sealer/varnish. Do not use any natural hair or bristle brushes with acrylic mediums. They are too thick and will absorb too much water to be useful.
A cup or jar of water for the wet brushes, which you should keep wet while in use.
A Black Sharpie,
Paint-- I used white, red, black, and gray
Acrylic glazing medium, satin finish; you can get just the little 2 oz bottle Windsor Newton makes (this is for adding shadows).
Paper towels, and a shallow tray (I used a metal baking pan),
Two soft rags
A faux crackle finish kit, if you want the box to look old. I personally love the crackle finish, because my style of decoupage is more dimensional than the traditional methods. When you make the elments thick enough it almost looks carved. I prefer any two part kit for fine crackle or porcelain crackle.
White card stock for printing arches and columns
Spray matte varnish or Clear Coat to seal all your hard work.
Use my artwork, and if you don't want to spray seal your inkjet prints take the prints to Kinko's to copy them on a color copier. Otherwise spray inkjet print-outs on both sides with the spray mentioned above
White card stock to stamp your arches, and to print the arches and columns on—it really looks nice when they stand out a little.
Hanging hardware (I prefer two small D ring hangers that screw on)
Felt or cork pieces to protect your wall (I used plain white craft felt)
Tacky glue for the felt or cork
- Optional: black embossing powder and heat gun.
- blue masking tape, to help with the dry fit of the cut-outs.