Step 6Paint it
If you are stenciling inside you have a completely different option for paint: an airbrush. While you might not think to use an airbrush for stenciling, the control is superb, allowing for extremely detailed work. The other important advantage to an airbrush is that you can use any manner of paint you want (as long as it can be thinned to the consistency of milk), allowing you to mix your own colors to get exactly the hue you want. Finally, airbrushes use air as a propellant in lieu of chemicals, which makes the paint far, far safer and less noxious to work with. If you use a non-toxic paint you have a completely environmentally sound and healthy way to stencil. This can be important if you're working in an inclosed space. Airbrushes will also allow you to aerosolize a fabric dye, so you can make nice t-shirts of your stencil designs.
When painting a stencil, you apply the paint as you would with anything else. The goal is to get even paint coverage, so you're applying the same amount of paint to every bit of the piece. This helps avoid drips. You want to paint with short, even strokes, about 18" from the piece. Don't follow a zip-zag path or try to "trace" the pattern of the stencil, instead apply short strokes in one direction. This is so you never turn back on yourself and hit the same spot twice, because when you turn back on your path with the can or airbrush, you apply twice the paint in that one spot whrre you doubled-back. Be sure to keep the spray at as close to a 90-degree angle to the work as possible. This helps hold then stencil down (preventing overspray). You also want to keep the can as upright as possible, which keeps a nice, consistent flow of paint. About 45 degrees is good enough. You may want to incline your work surface if you're working inside so that you're not forced to hold the can horizontally.
When painting, you want to keep the stencils in contact with the surface, or as close as possible, and anchored firmly in place. Some people like using a removable spray adhesive for this, such as 3M Photomount, but I find masking tape along the outer edge to be equally effective and much less messy. When working inside, I keep a jar of pennies around. By placing little stacks of pennies on the stencils sheet I can anchor it down very effectively. Working outside little loops of masking tape can be a big help if the stencil is too big to secure with one hand. If you're inside and have the luxury of doing so, be sure to let your stencil dry fully before lifting the stencil, otherwise you risk smearing paint at the edge. Try your best to pull the plate straight up instead of dragging it across the surface to avoid this. You should give your piece at least 90 seconds of drying time before applying the next color. If you're inside and have the luxury of time, give it a full 10 minutes.
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