Creating Any Small Metal Object From Easy-to-melt Metals





Introduction: Creating Any Small Metal Object From Easy-to-melt Metals

In this instructable, I will show you how I made Christmas presents for my whole family by melting solder and aluminum. I made letters, drilled holes in them, and hung them as 1-of-a-kind necklaces.

Step 1: Materials:

To melt metal you need:
a 2" or 3" iron cap from home depot
a 3 foot long piece of thick iron pipe from home depot
a welder
a mapp gas blow torch
pieces of aluminum or a roll of solder
a clamp
a sawhorse
2x4 scrap peices

Step 2: Set Up the Melting Pot

Set up like the diagram shows (I couldn't take pictures of the real set up because it is at my father's house.)

Step 3: Melting and Pouring

After setting up the melting pot (the fancy name is crucible) turn the blowtorch onto automatic and let the aluminum or solder melt. Pour out the side of the melting pot and fill the mold. Let dry for an hour, and pour water on it. Drill the hole, and put a string through, and give as a gift. Your final result is a personalized amulet for your loved ones. And your inlaws.



    • Paper Contest 2018

      Paper Contest 2018
    • Trash to Treasure

      Trash to Treasure
    • Pocket-Sized Contest

      Pocket-Sized Contest

    We have a be nice policy.
    Please be positive and constructive.




    I grew up in a metal shop, my dad was a Bronze Mold maker, so I saw a lot of casting going on. Melting of metal ingots and casting of all sorts of metals. I either should have paid attention or asked a lot more questions because after reading all of these comments I have decided that it would be simpler and safer to just use the Precious metal clay to do what it is I am attempting to do. I saw way too many dangerous things go wrong being around casting pots and molten metal. I think my dad would have advised me to steer away from these ideas and suggested the PMC as an expensive but much safer alternative. Thanks for the comments!

    Some years ago I worked in a jewelry store. There I got to try out something I had been introduced to years before: Charcoal Block casting. Jewelrers use the charcoal block to solder jewelry on. It is highly heat resistant and soft enough you can use steel pins to hold the piece in place while soldering. But you can also use it to cast small items like pendants or crosses. To do charcoal block casting you need two charcoal blocks. You take one charcoal block and carve the design you want into the face of the charcoal block. You melt your metal directly on the piece of charcoal your design has been carved. When the metal is ready to cast take the other block and carefully press down with it onto the molten metal. If you have judged the amount of metal right it will fill the design with very little overflow. If you have used too much metal you may have some squeezing out sides like a peanut butter and jelly sandwich with too much jelly. The possibility of using too much metal is why you carefully press the second, uncarved block onto the metal. I have used this with gold and silver. I am looking forward to trying it with aluminum. Charcoal soldering blocks should be available at a jewelrer's supply house. The number of castings you can make from your carving depends on a lot of things including how intricate the design was. After you are through casting with that design and wish to do another you can "erase" the design by rubbing it onto a cement surface like a sidewalk, etc. This gives you another blank surface to carve.

    Years ago, I'd heard of making a mold by carving the object you want to make out of styrofoam, then packing it in dry sand, adding fill and vent holes to the object, then pouring in the molten metal. The metal burns out and replaces the styrofoam, leaving a metal replica of what you carved. Can't say for sure how well it worked though. Never saw the finished results. Seems like it ought to work.

    I have seen the results of this sort of casting and it can be pretty impressive. My attempts at it didn't work, I think because using the torch I was using I had difficulty getting the metal molten enough to flow. I was able to get it to a semi liquid state that I was then able to pour/drop into a mould I made from plaster of paris reinforced with wire. I used styrofoam as the master which I then melted out with the torch.

    By this type of casting I mean styrofoam master and sand as the mould.

    More on lost-styrofoam casting: I have been to the mount and have seen it with mine own eyes! We dropped by Cosanti Studio ( to buy a windbell and saw some of the styrofoam positives they used for the intricate cast-bronze panels. They use a fine-grained pink material (looks like Roofmate, perhaps) that can be carved to quite fine detail.

    The studio deserves mention. it is, quite simply, the most fabulous artist's studio I've ever seen. Paolo Soleri is known for his unique architecture, and the Cosanti workplace is no exception. He uses a lot of cast concrete structural forms in fantastic shapes to create a workspace that defies description. Arcosanti (north on I-17) is a whole community-in-progress that reflects Soleri's dream of an ecologically-ideal living space for up to 5000 residents. This also needs to be seen to be believed. The work is supported largely by sale of bronze and ceramic art pieces made at both sites.

    Paolo Soleri is a maker of the highest order.

    sounds toxic.

    Do it outside and stand upwind. Use a fan. Hold your breath. Use common sense. Pour the molten aluminum from a cup on a long stick. Make sure the sand is bone-dry. Keep a fire extinguisher handy. Wear eye protection, and protection for other body parts ("Brain surgery?? But that's my second-favorite organ!" -Woody Allen in 'Sleeper'). Close cover before striking. Do not attempt. Professional driver on closed course. Sorry, got carried away covering my ass...

    any one know a metal i can get from just about anywhere and melt it in with a fairly low tempeture and how can i make a mold? ~!m 4 n00b 4t th!s~