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Picture of Distortion of DOOM! (for the bass)
Summary
This is an intense, synth-like distortion effect designed for the bass guitar. The project is not intended to be a complete guide to constructing a stand-alone pedal; rather, it is a guide to putting together a circuit that produces some brutal sounds and that can be used in experimentation or in other projects.

The audio file contains clips of how the effect sounds. This circuit design includes a 'mix' control that changes the balance between the original, unaltered signal and the processed signal; you can hear the effect of adjusting this control later in the audio file.

Cost
All of the electronic parts (including the parts for the bipolar power supply discussed later) for the circuit itself can be acquired for ~$15.

Difficulty
This circuit is not hard to put together, but basic knowledge of assembling electronics is necessary. If you intend to turn this into a stand-alone pedal, then knowledge of how to do so will of course be required.
 
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Step 1: Parts

Picture of Parts
Parts:

Resistors (1/4W or greater rating will do)
1k (x9)
100k (x3)
10k linear potentiometer (x1)
10k audio logarithmic  potentiometer (x1)

Capacitors (16V or greater rating)
47uF (x2)

Op Amps
TL074 (quad package, x2)
14-pin DIP op-amp sockets (x2)

Diodes
1N914 (x6)

Other
Wire for connections
+/-9V power supply (for this project I used the bipolar power supply circuit from geofex.com - http://www.geofex.com/circuits/+9_to_-9.htm)
1/4" mono jacks (x2, input and output)
Printed circuit board, bread board, or perforated board

The schematic is shown above...

Step 2: Theory!

Picture of Theory!
Waveform.jpg
Because who doesn't love to know whats actually going on?!
This circuit can be broken down into seven basic pieces, as shown in the first image...

The first stage, the input buffer, ensures a high input impedance for the circuit to avoid any signal degradation. The first capacitor blocks any incoming DC offset in the signal, and the value of that capacitor was chosen to make sure that the bass guitar frequency range passes through unaffected.

The second stage, the x2 amplifier, is a simple non-inverting amplifier that doubles the amplitude of the input signal. The output from this amplifier is sent to three of the subsequent stages.

The Sine to Square Wave step takes the output (which is a superposition of sine waves) from the x2 amplifier and turns the signal into a square wave with the same base frequency as the original signal. It does this by first sending the signal into an op amp set up as a comparator; because the signal is going into the negative input, when the signal has a positive voltage the op amp outputs its maximum negative supply voltage and when the signal has a negative voltage the op amp outputs its maximum positive supply voltage. We thereby get a time-varying output voltage that switches between +9V and -9V (the supply voltages for the op amps). The 100k resistor serves to limit current draw from the comparator op amp. The diodes then clip the square to between ~ +/-1V. This limited square wave is then sent through another buffer to ensure that the signal does not sag.

The square wave and the original signal coming out of the x2 Amplifier stage are then both fed into the Cross Modulator*. This part of the circuit multiplies the two input signals together (multiplies them in the time domain, or convolutes them in the frequency domain) to produce strange waveforms, as can be seen in the second image (this circuit simulation and the schematics were created in the incredibly awesome Falstad Analog Circuit Simulator applet, http://www.falstad.com/mathphysics.html).

The resulting signal is then fed into another buffer to ensure that the signal does not sag.

This crazy signal and the original signal (from the x2 Amplifier) are then combined via a potentiometer (the 'Mix' control) and sent into an output amplifier (whose output volume is controlled with the 'Volume' potentiometer).

The final signal is sent into an output buffer to ensure low output impedance and then passed through a final DC blocking capacitor before being sent to the output jack.

*The Cross Modulator circuit came from "Comparison of transformerless ring modulators and cross modulators" by Zdenek Mack, published in The Radio and Electronics Engineer, vol. 44, no. 8, August 1974

Step 3: Assembling the Circuit

Picture of Assembling the Circuit
XMOD_PCB_+parts.jpg
TL074 Pin-out.jpg
A printed circuit board layout is provided below; the file is designed to be 100% size when printed on an 8.5"x11" piece of paper. A parts layout on the PCB is also provided here. Note that assembling this circuit on the provided PCB will require several jumper wires on the board (shown in the images). These jumper wires are shown as blue lines in the PCB parts layout image.

If you use the PCB layout, there is one pad that is supposed to have two wires soldered to it; note in the image of my circuit board that I soldered one of the wires to the pad and then the other wire onto that wire from the top of the board.

The large rectangles with the three offset connections on the PCB are for the two potentiometer connections. The wiper (center pin) is connected to the center pad in these sets of solder pads. Note that on potentiometer does not require a connection from one of the outer pins.

You can also assemble to circuit on a bread board or on a perforated circuit board with the schematic in step 1.

If you use electrolytic capacitors, the negative side should face down-circuit; that is, at the input end, the + side of the capacitor is connected to the signal source and the - side of the capacitor is connected to the rest of the circuit (you can see this in the image of my circuit board - the gray part of the capacitor is the negative side). At the output end, the + side of the capacitor is connected to the circuit and the - side is connected to the output (again, visible in the picture of my circuit board, gray is negative side).


I highly recommend you use op amp sockets in assembling this circuit; when you put the op amps into the sockets in this PCB, the markers should be facing away from the 1k resistor. The pin-out diagram for the TL074 chips is also shown here for your convenience...

Step 4: Powering the Circuit, Adding Inputs/Outputs, and Finalizing the Circuit

Picture of Powering the Circuit, Adding Inputs/Outputs, and Finalizing the Circuit
Mono Jack.jpg
The first image shows my final product; I didn't make a complete gig-ready pedal, but if you want to do so with this circuit the General Guitar Gadgets website provides excellent instructions for creating a complete stand-alone pedal (http://www.generalguitargadgets.com/tech-pages).

For my circuit, I simply connected two mono 1/4" jacks for the circuit input and output. These jacks have two solder lugs; the second image shows which lug is which. The ground lugs need to be connected to the common ground for the entire circuit, and the live lugs are connected to the circuit input or output.

Note that there is only one solder pad on the PCB for ground, so you will have to chain all ground wires (both jack ground connections, the negative terminal of the 9V battery, and the grounds from the bipolar power supply discussed below) together on that solder pad.

The op amps need to be powered with +/-9V... For my circuit, I used the bipolar power supply circuit from geofex.com (http://www.geofex.com/circuits/+9_to_-9.htm) and simply connected it straight to the effects circuit (creating a fully operational gig-ready pedal requires different wiring with a footswitch, which you can find at the General Guitar Gadgets website). To use this power supply as I did, you simply need to connect the +9V output to the + supply pad on the circuit board and the -9V output to the - supply pad on the circuit board. You also need to make sure to connect the grounds from the power supply circuit and the negative terminal of the 9V battery (of the BATTERY, not the -9V lead from the power supply circuit) to the common circuit ground on the circuit board.

Once you have powered the circuit and attached the input/output jacks, plug the bass guitar into the input of the circuit and connect the output to an amplifier. Then rock hard.

Step 5: Conclusions...

Here's a very poor quality video of the effect in action (mix pot set to about the middle)...



ROKK ON.

Thanks for checking this out! Hope you enjoy putting this together!
bikeNomad1 year ago

Interesting effect. One comment, though: you need to provide a DC path to ground for the input bias current at the input. Even 1M would be plenty for the 400pA max bias current.

mcmahanly1 year ago
godinpants?