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Step 7Boogerlips and Eyeflaps
I separated a small amount of the skintone mixture and added more of the pale fleshtone, enough to increase the total quantity by about a third. This I used to highlight the raised areas on and around the nose, brows, ears, and eyelids.
The primary lip color is simply the undiluted booger-green paint that I mentioned earlier. I also used this to trace in a few lowlights around the eyelids and nostrils.
The shocking red of the inner eyelids was the resulting of underpainting with an old leftover quart of housepaint I had called "cherry cobbler", then overlaying that with a primary red and streaking it through with white. The veins on the eyeballs are the same color scheme, and the gums in his mouth are just three coats of cherry cobbler. Yummy.
The primary lip color is simply the undiluted booger-green paint that I mentioned earlier. I also used this to trace in a few lowlights around the eyelids and nostrils.
The shocking red of the inner eyelids was the resulting of underpainting with an old leftover quart of housepaint I had called "cherry cobbler", then overlaying that with a primary red and streaking it through with white. The veins on the eyeballs are the same color scheme, and the gums in his mouth are just three coats of cherry cobbler. Yummy.
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