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I do agree with your point "shoot THOUSANDS of [digital] frames swiftly" (I see it constantly from my grandchildren on Facebook, for example). But that is another argument, not one that will forestall the inevitable movement to the digital medium for even the most serious photographer as the techniques are developed. (IMHO, of course.)
BTW, "truly knowledgeable and respectable audiophiles consistently find some elusive qualities in the old vinyl LP" is pedantic nonsense. If the CD had been designed with a sufficiently small quantization (more bits per sample) there would have been no issue for the self appointed " knowledgeable and respectable" experts to preach to us about.
My comment was the result of your quick and coarse disqualification of the true value of the film cameras. I will invite you in the most respectful way, to hold a good 35mm camera in your hands, and then take a recent equivalent Digital DSLR... Does it have the same precise, solid feel? NO! Does it perform always better? Nope! Will it endure for another 30 years? Absolutely NO ! See... while newer cameras have numerous aids, options, settings and bells and whistles (too many), the BASIC construction quality has been lost. You need to pay several times as much in order to get today's best quality lenses and camera bodies, just to approach the construction quality of the cameras available to the public in the 80's !
The thing here is that THERE IS a sizeable movement going to old fashioned film photography, as well as another equally veritable group of people investing time and money, and specially dedication to the analog and Vinyl record reproduction. Remember when the first Compact-Disc players started to appear back in 1983?, well I clearly remember most (about 99%) of people declared the LP dead forever, and claimed that the newly developed CD was absolutely, completely "perfect"... and just a few found some objectionable artifacts in them. Some years later the same folks that had claimed the initial CD's started to accept that the first generation players (and many of the second generation too) were awful sounding. The fact is that NO CD is "perfect" even today, after many refinements. Latest designs of Digital Audio formats use up to 24 Bits at 192 KHz instead of the 16 bit 44.1 KHz of the CD... But it is still open to debate if it is really enough for high quality reproduction.
The fact is: "If CD would have been designed..." -But it WASN'T!!!
The same applies to Digital Photography today, it is still far from "perfect", and every year manufacturers push quality just a little bit higher, in order to make the most money in the long run.
Now, if you compare the true optical quality of the SLR lenses available in 1980 to the lenses sold today, you would be surprised that in MOST cases, the old lenses measure better, image better, and render beautiful pictures with old "outdated" film!
If an Instructable verses on the RESCUE of a perfectly good old technology, that somehow has not been completely surpassed by newer technologies (in some respects), FINE !
Let people enjoy old cameras and lenses, learn darkroom film and print processing, and get some real traditional artistic ablilities that come naturally with those old techniques. Nobody will doubt that Digital Photo is here to stay, and has reached a very high degree of quality, but it is not perfect yet, and instead of a competition between two aproaches, it is more the combination of both worlds that is the most desirable attitude.
The example about wines is just that: an example. The objective was to show that everything needs a little appreciation. Not to offend or disturb anyone. Another good example is the irrefutable return of the classic MECHANICAL wrist watches (mabye never as presice as time keeping pieces as the electronic ones, but as a tribute to appreciation. Not meant to be worn at all times, but for special occasions. Let's be constructive and appreciative. Let's have many more Instructables like this, specially to show too young persons the beauty lying in older designs, arts and crafts.
Have a nice day.
In my mind, now is a better time than ever to lend a helping hand to keep one of modern history's most influential art techniques alive. Prices for used equipment spent most of the last ten years tumbling but is now, if anything, on the up again. Professional 35mm camera systems (not the incredibly cheap one used for this instructable) sell used today for a fraction of their list price.
A Nikon F4S, for example, sold new in 1988 for circa $2500 (before inflation) but can be had today, in great nick and with a tonne of life left in it, for less than $300.
35mm can go out of use, but film in general will not. The analog-natural is beauty in itself.
Thanks for your nice Instructable, amclaussen
I was thinking about the beauty of salt grains on film photost just this morning :) Too bad I never find inspiration any more to make photos that would be worth the cost of film and developing..
Here are some points to make the instructable even better:
1) Heading: .35mm - remove the . it's not 0.35mm but 35mm.
2) Step 1. You could add that the rewind knob is the one with foldable crank. Just to familiarize
the user with the camera and it's parts.
3) Step 2. Most films come with leader (as much as I have seen), so mention that to cut only when there isn't one.
4) Step 4 and 5. I would make this just one step or add the 4th step photo again in the 5th. At the moment making sure the film is tight and securely attached to the right side spool before closing the lid may go unnoticed as the 5th step photo does not support that short text.
5) Step 7. The knob may work in different way on different camera models but to locate the film speed knob, it always has numbers 100, 200, 400 and probably some others on it. (There may be cameras that have German DIN film speed which would probably have 21, 24, 27 among them or something in that range, or Russian GOST, 90, 180, 350 for example. In that case one should look up the numbers compliance with ISO which is nowadays written on the film container.)
6) Step 8.
>The shutter controls the length of exposure, on this camera, the higher the number, the less the exposure time.
"on this camera" is not needed, it's universal.
To locate shutter speed knob, there are probably always numbers 30, 60, 125, 250, 500 among them (maybe really antique cameras have something else). The numbers actually mean 1/30 second, 1/60 s etc. Knowing that the bigger number makes shorter exposure starts to make more sense.
7) Step 9. Aperture ring always has at least some of the numbers from this set: 2, 2.8, 4, 5.6, 8, 11, 16. They also mean 1/4, 1/5.6, 1/11 etc of theoretical full light coming through.
Keep going, it's a very good 'ible nevertheless :)
I know how it goes... you get started providing some constructive feedback, fifteen minutes have gone by, and you are four paragraphs deep into a comment.
And yes so it is. I am quite slow writer but when I can provide some useful information (in my own opinion) then I'm at least later satisfied how I used all that time :)
As far as digital cameras go, most digital cameras are not suitable for large format photography- certainly not those in the same price range as a common SLR.
The true virtue of digital recording (images or sound) is the convenience of storage and data fidelity across infinite reproduction.
I miss having to compose every shot carefully because there were only so many shots on a roll.
I miss having images matter.
Zapp
BTW: I did not mean my comment in a derogatory manor to the author... if it came across that way, I am sorry.
BTW: I didn't mean my comment in a derogatory manor towards the author... not sure if it came across that way. If it did, I'm sorry.
uuglypher
BTW is spelt "micturition"
Thank you once again. :)
Yes, 35mm film to most is comepletely useless. But to many, it still provides a better quality than your average digital camera. Especially when comparing costs. And, as aaronx said, most photography classes still requiring knowing how to shoot in 35mm. For the sake of quality alone, I would take a low end SLR over a basic PnS any day of the week.
Only things I would change would be specify the camera you're basing this on since, while these are pretty basic rules of thumb for film, things could change slightly from model to model. And, as stated, remove the decimal before "35."
Other than that, good job.
Largely irrelevant in this digital age and no better than the typical user manual that comes with a camera. Seems like you have hijacked this great institution for some kind of class. Spam is spam, and this in my opinion is spam. YMMV