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"...the state of affairs in the artistic world is always a relation between something like our experimentation of chaotic sensibility in general, and the distinction, which is a moving distinction, between form and inform, or something like that." - Alain Badiou, The Subject of Art
The implications of our contemporary era for form are dizzying. The development of new forms is infinite.
Lets look at a process and see how you find your own way to "do art".
The implications of our contemporary era for form are dizzying. The development of new forms is infinite.
Lets look at a process and see how you find your own way to "do art".
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Signing UpStep 1Sense and Sensibility
Pick one or any combination thereof:
A. visual
B. auditory
C. tactual
D. gustatory/olfactory
E. other
What do you have to use?
What makes sense to use? What doesn't make sense to use? Why not, you sure? Okay.
Example: (Resources)
- A few weeks worth of 6-12 people's plastic recyclables.
- Gloss Medium
- A decent drawing of a fit male butt
- A butane pen torch
- Fruit
- A sturdy stained and un-stretched canvas
It is important not to simply fall into the mindset of fighting established formal forms. The key is experimenting and sort of hoping something will happen.
NEXT) Is Something Happening?
A. visual
B. auditory
C. tactual
D. gustatory/olfactory
E. other
What do you have to use?
What makes sense to use? What doesn't make sense to use? Why not, you sure? Okay.
Example: (Resources)
- A few weeks worth of 6-12 people's plastic recyclables.
- Gloss Medium
- A decent drawing of a fit male butt
- A butane pen torch
- Fruit
- A sturdy stained and un-stretched canvas
It is important not to simply fall into the mindset of fighting established formal forms. The key is experimenting and sort of hoping something will happen.
NEXT) Is Something Happening?
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