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Step 6: White - highlights

In the last step you'll notice that I flooded the flesh but left the colors in her hair and eyes. This is symbolic.

In this step I must flood the image with white in order to further drone out the excess color. I had planned to whitewash the background in this image rather than putting in any highlights because I want the focus to be on Mrs. Arbus. I use a generous amount of white on this portrait in order to give her the softness that I feel. You can see how the orange served to drone out the flesh and pre-soften the flesh for the final highlights. In many paintings I would go for sharper highlights, which is actually a lot more sparing. In this painting I opted for soft touches over the hard shaded underpainting.

The depth of the underpainting is still evident, but the excess of orange and white has made the underpainting's colors to sink in deeper making them far more subtle. The final portrait should not be like a copy of the source photo, but should be an expression of emotion, the way you want the portrait to feel. I think I got her actual dimensions pretty close, yet the painting appears quite different than the source photo. The play on color and light allowed me to accentuate the lusciousness of her rich facial features. I always paint free style, without anything like grids to attempt to copy the dimensions. This is just my personal preference.

<p>I tried this technique and it was looking good till the white stage, then it all got covered over. does anybody have any ideas for the white stage and what i did wrong?</p>
I suspect you overdid it on the highlights step, which is not hard to do. The good thing though is that if you start over color by color, it will come out smoother the second time around. Even if you didn't overdo it, it's good to go through the steps a second time if you're really going for that polished look. <br><br>If you took photos of your steps, I'd be happy to give you advice. Also, I've written a couple other tutorials on my website which go through the same basic steps, but produce a much more stylized portrait. Reading through those should help you get a better understanding of this tutorial. <br><br>http://jlampkin.com/tutorial<br>http://jlampkin.com/technique<br><br>Even if you didn't take photos of the steps, I'd like to at least see the final stage and give you some pointers. There's a contact form on my website, or you can message me from here. :)<br><br>-Jeremy
I didn't take any pictures unfortunately. Didn't occur to me that I wasn't going to be putting the painting on the wall. And I threw out the botched portrait. I'm new to the world of acrylic paint. (I mostly sketch with pencils.) How do I create a lighter coat of white paint?
<p>I'm sorry, it's been 5 months and I just noticed you replied. It's too bad you threw out the painting because it definitely could have been salvaged. To lighten your white layer, you could mix an acrylic medium to make it more translucent or just thin the paint slightly with water. It's good to thin your overlay color (in this case, orange) too, so it doesn't drown out the multi-colored effect too much.</p>
Forgot to thank you for responding to me. I was really excited that you did
<p>Loved your tutorial! I decided to do this on a night I had insomnia, (last night), and finished it today. It's not perfect, but I'm digging it! I love this technique, I'm starting a new one today. Any advice would be greatly appreciated! Maybe more color and depth in the background?</p>
<p>Awesome, I really like what you've done here Melissa. It has a classic impressionist feel. The subtle undertones of color look really good. It's not hard to overdo it on the later steps and lose that effect. Personally, I like the subtlety of the background. You can still feel the wavy colors and textures there. The best advice I could offer is to just practice; you'll get a better feel for the technique over time. </p><p>With this one, you may want to add just a few touches on the details. A strong contrast in certain select areas can really make a portrait pop. For a final touch, you could darken the shadows maybe in the nostrils, the line between the lips, and under the bottom lip. </p><p>I've found it's good to pay close attention to how light and shadow hits the corners of the mouth and eyes. Mouths tend to have stronger highlights just under the dark line dividing the lips and just above the upper lip, and then also under the lower lip but mostly near the corners. Please let me see how your next portrait turns out. :)</p>
<p>I tried this technique and it was looking good till the white stage, then it all got covered over. does anybody have any ideas for the white stage and what i did wrong?</p>
<p>This is one of the best and easiest ways I have seen to paint a portrait.</p>
Thank you for saying so. If you're interested in learning about more stylized portraiture, there's a couple other tutorials on my website.
I love it!&nbsp; Thank you SO much for posting this tutorial! I can't wait to give it a go using your technique!
Thanks. I'd like to see what you come up with, if you wouldn't mind posting the result.
Nice instruction :-) thank you for sharing. Now could you pass on a little of your hard earned talent as well :-D
Since you asked so nicely, here's a little talent for you then. Now you just have to paint a portrait to realize how good you are.

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