The thin nature an flexibility of the gel makes it well-suited for incorporating into artworks. It's transparency gives some interesting possibilities... think light boxes or night lights (I did a multi-piece light installation with gel medium transfers as part of BFA work). The malleability makes it well suited for jewelry and other small craft projects.
This tutorial shows the basics - more the process than a final product - your imagination can take it from something simple into something amazing. There's almost an infinite number of applications across the arts and crafts spectrum.
And i realize the image of the BMW isn't the most artistically dynamic, but it works pretty well to show the process.
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Signing UpStep 1: Materials
- acrylic gel medium
- brush
- dish or tray
- water
- scissors (in case trimming is necessary)
- an image to transfer
notes on the gel:
the beauty of this technique lies in the nature of the acrylic - you can adjust and modify the gel to suit your needs... whether using retarder to increase smoothness, mixing in acrylic pigment, or even mixing in other materials (i've seen everything from gold flake to sand mixed into the acrylic gel). I use Liquitex's Gloss Heavy Gel Medium, but any clear acrylic medium works.
notes on the image:
Any image can be used for transfering, although some work significantly better than others. Uncoated magazines/newspapers work beautifully, but more coated photos/postcards/etc. may or may not transfer well - a color photo copy would be recommended to increase the probability of a successful transfer. Laser printed images work, but ink-jet prints generally don't work as well.
notes on the brush:
you can use any brush you'd line, whether bristle or foam. The different textures of the brushes will lay the gel medium down differently and will yield varied final products.













































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Simply lay down the image on your canvas or other medium. Then spray the whole canvas with clear coat. Make multiple coats until the picture is level to the rest of the canvas. You can also buff out the clear coat to make it more level and flat.
Also to be considered is that most ink-jet inks are water soluble. This is why you want to use a fixer to prevent humidity in the air from causing the ink to mix with other inks, and also to protect the ink from drops of water. It's the same variety of issues that watercolor painters have had to deal with for centuries.
That said, you might try spraying the paper you are going to use with a fixative, printing to that, then waiting for the ink to dry before applying the acrylic gel medium. The waiting time may have to be more than the couple of minutes that you would normally wait as the ink should not be absorbed by the paper at all, and you will have to wait for the fluids in the ink to evaporate. You might have to do some test runs to see what that drying time is, then extend it based on the local humidity.
i'm definitely going to use this is my current piece. i'm a photographer/painter/sculptor, and i also work at one of canada's leading art suply stores. this is just awesome. i'm probably going to try this with some Tri-Art clear modeling paste, with a glossy finish. can't wait to see how it turns out.
thanks so much for the awesome tutorial!!