Matrix Bullet Time (the REAL way)

Matrix Bullet Time (the REAL way)
In this Instructable i will show you how the matrix bullet time really works.
 
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Step 1History

History
Bullet time is a computer enhanced simulation of variable speed (ie. slow motion, time lapse, other) photography used in recent films, broadcast advertisements and computer games. It is characterized both by its extreme permutation of time (slow enough to show normally imperceptible and un-filmable events, such as flying bullets) and space (by way of the ability of the camera angle--the audience's point-of-view--to move around the scene at a normal speed while events are slowed).

This is almost impossible with conventional slow-motion, as the physical camera would have to move impossibly fast; the concept implies that only a "virtual camera," often illustrated within the confines of a computer-generated environment such as a game or virtual reality, would be capable of "filming" bullet-time types of moments. Technical and historical variations of this effect have been referred to as time slicing, view morphing, slow mo, temps mort and virtual cinematography.
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21 comments
Jun 22, 2010. 11:03 PMwillpower101 says:
This instructable is nothing but a shameless plug. Why not actually create something?
Oct 15, 2009. 4:41 AMsimonL says:
 The "timeslice" technique used in the Matrix sequenceswas actually invented by artist Tim MacMillan in the the late 70's. He'sstill making films using the technique his site iswww.timeslicefilms.com - credit where credit's due!
Nov 22, 2009. 10:47 PMharuspex says:
A simple read-through of the history section of Bullet Time on Wikipedia shows you to be very wrong:
http://en.wikipedia.org/wiki/Bullet_time

The invention of Bullet Time is shared by many, and the technique in The Matrix is not just timeslice, but augmented in many ways including frame interpolation, view morphing, and image-based CGI.
Nov 23, 2009. 3:18 AMsimonL says:
 There you have me Haruspex! I was probably influenced by my utter disdain for big-budget, high-concept hollywood bilge and a desire to credit the Little Guy (especially one who's actually an artist as well!) We should, of course not forget, as wikipaedia reminds us, that it all goes back to Muybridge. God help us, though if tripe like the Matrix is a good as it gets!

Feb 28, 2009. 3:17 PMusarmykid92 says:
zomg!! who can seriously afford all them cameras!?
Oct 4, 2009. 1:24 AMmoosofa says:
the guy in the white pant's boss' boss' boss.
Dec 16, 2008. 2:56 PMrownhunt says:
(removed by author or community request)
Feb 13, 2009. 6:16 PMgora_ji says:
... errr PLAGIARISM - surely you don't expect people to take you seriously if you can't spell. Then again, 87% of american tv is the same old money making derivitive bulls**t There are many ways to do temp-mort or bullet time (I work in the industry) so it's not plagiarised - simply a variant, if not also improved.
Dec 14, 2008. 8:40 AMVishal0011 says:
It seems this guy has copied everything from

http://en.wikipedia.org/wiki/Bullet_time
Jan 7, 2009. 9:31 PMsonaps says:
If you read the last step, he kinda says that he did, and with "permissions".
May 15, 2008. 1:12 PMawkrin says:
and where exactly did u get pics of the actual matrix filming?
Jun 15, 2008. 10:21 PMAntimatter500 says:
the internet, i'm sure
Feb 13, 2008. 1:12 PMnf119 says:
Is the skin color in movie tinted green because of the reflections from the green screen or is it purposely tinted during editing?
Mar 29, 2008. 6:48 PMdalbyman says:
studied the matrix in media studies - the tinting is intentional. if you watch closely all the scenes in 'the matrix' world are tinted green and all the scenes in the real world are tinted blue. :)
Mar 29, 2008. 7:08 PMnf119 says:
Yea I figured. I wish we could tint real life.
Feb 27, 2008. 10:52 AMLividMonkey says:
The commentary during the Matrix DVD says that the tinting is intentional.
Feb 13, 2008. 5:43 PMPurplePeople says:
Although it's possible it was an artifact of green screen photography, it would be astronomically unlikely that the film lab would release any of the positives for projection and DVD conversion without comprehensive colour correction. It's far more likely that is was an artistic decision to match the colour of the falling characters in the monitor images on board the ship. Doing so would give audiences a subconscious cue that the characters were "in the matrix" during those particular scenes. Contrast this with the overwhelming number of films that use green and blue screen techniques but do not have any green or blue colour cast.
Mar 23, 2008. 12:53 PMOffset says:
plus the fact that the green tint is absent when they are out of the matrix, and that's when they'd probably need the most CGI
Mar 23, 2008. 3:01 PMnf119 says:
I don't remember many scenes outside of the matrix (from the first movie) that would have needed a green screen. Maybe when he was being taken out of the matrix, but thats it.
Feb 13, 2008. 7:37 PMnf119 says:
That's probably the logical answer. The artistic decision reminds me of what William Faulkner wanted to do in The Sound and the Fury, although he didn't the technology nor the expense to print a full fledge novel in Technicolor.
Feb 19, 2008. 7:57 AMRyanPlugs says:
if you notice, in all the matrix films, whilst inside the matrix, everything has a green tint to it, and whilst outside of the matrix, everything has a blue tint to it, its to really emphasise the difference between the two worlds

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Going to school for Telecommunications i always have a multimeter close to me... along with some sort of audio producer.