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http://www.compartiendocapital.org.ar/pintarcarteles.htm

La imagen que vemos aquí arriba fue diseñada con una computadora, utilizando herramientas vectoriales. A continuación vamos a visitar los pasos para trasladarla, con esmale sintético, a un cartel de fibrofácil. Es la misma técnica que los letristas usan para la elaboración de carteles callejeros y vidrieras.

Vamos a redibujar o calcar el diseño sobre un cartel previamente pintado. Es indispensable que la superficie sea tratada adecuadamente con selladores para madera. Estos carteles son pintados en sucesivas capas de color, por superposición de planos homogeneos. El esmalte conviene diluirlo con aguarrás y aplicarlo en varias capas delgadas, esperando el secado completo antes de la nueva aplicación.

Los pinceles que utilizamos para grandes superficies deben ser muy blandos y chatos. Para las líneas y las formas pequeñas utilizamos "pinceles de letrista": sus pelos son uniformes, largos y suaves, si bien no son fácil de conseguir, se pueden encontrar en algunos negocios de artística.

Es conveniente ensayar sobre alguna chapa previamente esmaltada, ya que éste material, por la suavidad de su superficie, es ideal para desplazar estos pinceles. Las pinceladas deben acompañar el diseño del pincel y deben ser trazadas de una vez, para lograr trazos seguros y firmes. Para ésto es necesario hubicarse cómodamente sobre una mesa desplazando sólo la muñeca.

Es importante limpiar muy bien los pinceles con thiner y guardarlos engrasados para conservar su forma.

For everyone that doesnt speak chinese here is the roguth translation<br/><br/><pre> The image that we see here above was designed with a computer, having used vectorial tools. Next we are going to visit the steps to transfer it, with esmale synthetic, to a poster of fibrofácil. It is the same technique that the letristas use for the elaboration of street posters and show windows. We are going to redibujar or to trace the design on a poster previously painted. He is indispensable that the surface is dealt suitably with sealants for wood. These posters are painted in successive layers of color, by superposition of homogeneos planes. The enamel agrees to dilute it with turpentine spirit and to apply it in several thin layers, waiting for the complete drying before the new application. The brushes that we used for great surfaces must be very soft and flat. For the small lines and forms we used &quot;letrista brushes&quot;: their hairs are uniform, long and smooth, although they are not easy to obtain, are possible to be found in some businesses of artisticHe is advisable to try on some plate previously enameled, already that this one material, by the smoothness of its surface, is ideal to move these brushes. The pinceladas ones must accompany the design by the brush and must be drawn up of once, to obtain safe and firm outlines. For ésto it is necessary to comfortably hubicar on a table moving only the wrist. It is important to clean the brushes with thiner very well and keeping lubricated them to conserve his form.</pre>
Changos!!, vaya cultura de Zus, confundir el español con el chino y vaya valiente traducción que hizo.
Here is a better translation of the instructable from spanish to english... However, it still does'nt tell you how to do it. It is missing most of the steps..... esto nececita mas informacion The image that we see here above was designed with a computer, having used Vector Graphics. Next we are going to go over the steps to transfer it, with synthetic enamel to a wood panel. It is the same technique that the sign makers use for the making of street posters and show windows. We are going to redraw or to trace the design on a poster previously painted. It is indispensable that the surface is sealed sufficently with wood sealant. These posters are painted in successive layers of color, by superposition of homogeneos planes. The enamel is diluted with turpentine and applied it in several thin layers, waiting for the complete drying before the new application. The brushes that we used for the big areas must be very soft and flat. For the small lines and forms we used "lettering brushes": their hairs are uniform, long and smooth, although they are not easy to obtain, are possible to be found in art supply stores It is advisable to practice this on some plate previously enameled, already that this one material, by the smoothness of its surface, is ideal to move these brushes. The pinceladas ones must accompany the design by the brush and must be drawn up of once, to obtain safe and firm outlines. therefore it is necessary to comfortably sit on a table moving only the wrist. It is important to clean the brushes with thiner very well and keeping lubricated them to conserve their shape.

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