You can cancel background noise when doing Foley recordings in your project or home studio, or have a portable mini dead room, ideal for specialized field recording.
The DIY Portable Mini Vocal Booth is ideal for podcasters, DIY filmakers and sound designers alike. My personal motivation to build this, was a desire to have a mobile mini deadroom to make foley recordings and recordings for my music.
For additional resources and more tutorials go to Humanworkshop.com
Step 1: Why a Mini Vocal Booth?
In Short: If you dont have a treated room your audio quality gets comprimised by the reflections of soundwaves on hard surfaces in your room. A deadroom or treated room, ensure a clean recording with as little 'room' or 'echo' as possible. Once you have the perfect recording you can treat the audio with any reverb, effect processor or VST you come up with. Its better to add things later than not being able to remove things later.
IR / Convolution reverb
A common practise in sound design is applying an Impulse respondse (IR) Reverb to a recording. A IR reverb uses the actual reverb of a room. like the name suggests, an impulse, like a loud clap or a starters pistol, triggers a decay. The charactaristics of a room can be applied to any sound source this way. The less room in a recording the better the results will be when you use a IR reverb. There are IR kits featuring crazy rooms like a pharao's tombe chamber in a pyramid, but you can also choose what seat you'd like to have in carnegie hall. More info aboutIR reverbs
Step 2: Things You Need + Costs
- Sharp boxcutter knife.
- Sound Isolation Foam (1 M�, depending on the size of your box)
- 2 durable Cardboard boxes (In this tutorial I use an old box from my notebook and a generic one)
- Bolts (12 bolts) and or a (industrial) stapler. (20 staples)
- Mic stand
- Bag with handle (or just the handle)
I use one cardboard box that is long and slim (so not square). I chose for this shape because it leaves me some arm space, hence it is set up in a V position. (When placed in a V shape, in a upright position, the cardboard box is stable leaving enough room for my hands to move objects i want to record) Its also makes it nice and slim, great when your traveling or doing field recordings. The other box is only used for the top/roof.
I used a handle from another box, nice sturdy plastic one. You can use any plastic handle thats sturdy enough. Want to know what type of microphone to use? see the wiki page.
put the box flat on the ground. Put the foam on top of it and check if everything is covered. (I had 1 M�, which was plenty for my 2x 40x40 cm and 15x40 box)
Start by marking the foam where the folds of the cardboard are using the marker.
Now measure the short side of the cardboard and the thickness of the foam (in my case 2 cm). Make sure you leave twice the thickness (in my case 4 cm) of the foam as spare space so the longer sides of the cardboard have space to move around. (see picture)
Step 4: Cutting & Attaching the Foam
We now have 3 pieces of foam. Two even arms and one short middle part. Staple and/or attach the foam with bolts. Do not attach the foam to the middle part just yet.
Step 5: Putting the Top On
Just like before, remind to leave (in my case 4 cm) enough space. This time so that the cardboard leans on the V construction
Step 6: Placing the Handle
Step 7: Placing the Handle
Step 8: Mic Placement
I attached a Mic holder to the cardboard: