I believe that Silicone rubber has been an overlooked material with a lot of potential for a long time. I would be surprised if I was the first person to think of using it in sculpture, but I'm sure I wasn't the only kid to tickle that sample dab of silicone they used to stick on the display cards and wonder what else it might be good for.
It can be used to make biological and architectural models, art and craft projects, jewelry and other things. Since it also has survival value for things like stopping leaks, and repairing things at home, it is a good material to become familiar with.
Step 1: Tools
100% RTV silicone rubber comes in a few basic colors, such as clear, white, black, bronze, and aluminum. You can make your own colors by mixing powdered pigments with clear silicone. Mix the ingredients on a palette with a palette knife. Transfer silicone to plastic tipped hypodermic syringes (pet store) for precise extrusions and fine details. Dick Blick Art Supplies is a good place to get fancy colors online: http://www.dickblick.com/search/?q=powder+pigments&x=26&y=9&sp_cs=UTF-8 Cheaper pigments by the pound can be found in hardware stores. They are normally used for colorizing cement.
You can build forms up like a clay coil pot, extruding lines upon lines to build up walls of silicone. Work on a wire armature to build figurines, etc. Spread it on a non-stick flat surface to make sheets of the material. Polyethylene plastic makes a good non-stick surface. I have a polyethylene plastic kitchen cutting board that is my favorite work surface.
Save your empty cartridges, clean them out, and use them for other things, such as maracas, or for artist's acrylic paint dispensers.
Step 2: Technique: Drawing in Air
In the process of making a complex sculpture form, you may be wanting to work with the piece on its side, or in any number of other positions for doing the the actual extrusion work. For that, it helps to have a work station with appropriate places to hang your growing work from.
Since three points define a plane, to hang your work (the imaginary plane) in any position it helps to have three attachment points on the armature. The armature can be of a rigid material, such as iron wire, or a flexible material, such as string. If you use string, the whole sculpture will be wobbly, like 100% rubber, and you may need to attach it to a temporary rigid frame to control it. A rigid armature adds rigidity to the sculpture and doesn't need a temporary work frame. As you can see from the photos below, an armature with three attachment points is not an absolute necessity. It's just a useful basic principle.
You can work from any overhead attachment points, but if your work space is not designed with such attachment points in the ceiling, you can use a sort of universal solution; a tripod to suspend work from. I already had some 3/4" EMT electrical metal conduit tubing tripods made for other purposes. They use full lengths of pipe and are 10 ft. tall. If your ceiling limits the use of such a tall tripod, you can shorten the tripod legs. Remember to protect your floor with rubber feet on the tripod legs.
See: https://www.instructables.com/id/TRIPOD-for-displays-or-painting for instructions in making the tripods. The tripods have educational display uses, also.
Step 3: Technique: Drawing on a Flat Non-stick Surface
After the silicone hardens, you just peel it right off.
The parts below are mostly fins for a fish sculpture I made.
Step 4: Technique: Over Clay, Then Remove the Clay
Step 5: Technique: Over a Balloon, Then Pop the Balloon
Inflate a balloon, tie a string to the neck and suspend the balloon by the string for covering the surface with silicone rubber. I ran the string through a PVC fitting first, to then add on the PVC neck with a sounding reed inside it. It was then colorized with different colors of silicone. As you can see, one can get very decorative with the extrusions. You can even get into jewelry with multi-colored fine extrusions.
After the silicone on the balloon is hardened up, pop the balloon and extract the pieces with tweezers, chopsticks, etc.
Step 6: Technique: Wire Armature
Step 7: Silicone Rubber and Fiberglass
This silicone rubber and fiberglass mat shower curtain will probably be good for 30 to 50 years outdoors. That's the normal guarantee on the silicone rubber, anyway.
To saturate the mat material, or other cloth material, lay out some non-stick plastic on the floor. I used a big roll of moisture barrier plastic that was bigger than the project. Lay out the mat material, or cloth on the floor and use a palette knife or similar tool to spread and press the silicone through the pores of the material. When it hardens up, peel if off the non-stick plastic, turn it over, and spread out another layer on the back side.
You can get painterly and textural effects with colorized silicone, also. How this might tie in with classrooms is hard to say, but if you every need a thin sheet of silicone rubber, here's a way to make it. It's water-proof. As an outdoor canvas for painterly expression, it has possibilities.
Step 8: Recycling the Empty Cartridges -- Acrylic Paint Storage
One use for the cartridges is as paint dispensers. I buy bulk acrylic paints in jars, because it is cheaper that way. Opening and closing jars to take out little dabs of paint all the time results in drying and a lot of waste paint. I solve the drying problem by packing it into empty silicone cartridges. I make non-stick silicone rubber caps that just pop on and off the end of the cartridge to air seal the paint. There are never any stuck-on screw tops to deal with. Use a grease gun to squeeze out the paint you need.
The empty cartridges are also good for making musical maracas, using two plunger cups to position the seeds in the end area of the cartridge. The maracas look just like the silicone cartridges, so there's not much point in showing a photo of the maracas. You've seen the cartridges.
Step 9: Silicone in the Music Department
I also use silicone to make drum head material; sometimes cloth-reinforced, and sometimes over a layer of x-ray film material. The sound is different; no better, no worse, just different.
Really, your school is missing out on a great material if you ignore this one!
Step 10: Architectural Models
The material is especially good for making irregular, or dome shaped architectural models. Sometimes, you can just build over styrofoam forms, but if you want to see inside, you can use the coil pot construction technique. The finished models are light-weight, waterproof, basically unbreakable, and should last a lifetime.
Step 11: Silicone in Molds
Working in molds allows you to get a smoother surface than is possible through direct techniques.
The plaster molds were coated with shelac and then a mold-release agent; wax if I recall correctly, or dish detergent. Normally, the bronze color coat would be applied after the sculpture shape is finished. In the case of using molds, however, the color coat is first brushed into the mold and then the cavity is filled with a tangled "bird's nest" of silicone extrusions. A solid mass of silicone would take a long time to harden up. Because of the porosity of the "bird's nest", the solvent vapors are able to ventilate out from the center faster. When the piece is removed from the mold, it is already "painted".
The distorted face sculpture is flat on the back and hangs on a wall.