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- price/ what your willing to pay
- wattage
- brand
- music listened to
obviously more bass i good. However i doubt a fan of orchestra is going to need a 1000 watt system. thinking of what music you listen to will determine what size system is acquit to what you listen to. And in the end will give you a price range. Obviously Rap, of course is the number one, music type associated with subwoofer systems. i personally listen to NO rap, but Classic rock, and a smiggit of new rock. For my need i really dont need much watts. but i guess "brag rights" got to me. i personally own a 1000w system and LOVE it. I enjoy listening to Godzilla by Blue Oyster Cult, it is one of the best songs with bass. Led Zepplin offers tons of bass and enjoy them as well. But this just demonstrates what is needed and what u might want. next is the idea of brand, brand will offer better sound than others and better warranty. Here is a guide to the goods and bads of subwoofers and amps:
Good brands, including but not limited to: Alpine, Rockford Fosgate, Kicker, JL Audio, Soundstream, ARC Audio, Cadence, Diamond Audio, Focal, Dayton (subs), Precision Power, some MTX, RE audio, Fi car audio, Sundown Audio, Hertz, MB Quart, Zapco, Infinity, Incriminator Audio, Missing Link Audio, JBL, Mach5, Ascendent audio, and DC sound labs, Digital Designs, Pioneer Premier; old school brands: Lanzar, Hifonics, Orion, and Phoenix Gold.
Mediocre brands (brands that are good for the money, but there is better): Quantum Audio, Sony ES line, Memphis (I have heard of lots of problems with their amps), Dual, Infinity (in my opinion), Pioneer, Kenwood (in my opinion).
Junk brands, including, but not limited to: Pyramid, Boss, Profile, Lanzar (except old school Lanzars), HiFonics (again except old school, series VIII and earlier), Legacy, American Pro, Rampage, MA Audio, Alphasonik, Crunch, Lightning Audio, Visionik, Audiovox, Volfenhag, Rockwood, Jensen, American Legacy, Audiobahn, Sony Explod line, VR3, JVC, Pyle. Any thing at Wal-Mart, or an auto parts store.
now some may be labeled as bad, but some actually with the right components will sound good. Good places to check are Ebay, propertyroom.com, and your local craigslist.








































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You WILL blow your speakers if you send a clipped signal (square wave) through. The MAIN reason people clip their signals is because they are increasing the gain to try to get more from their amplifier, resulting in a clipped signal being sent to an underpowered amp, and on to the drivers where they overheat the magnetic coils. An overpowered amp would also blow the speakers, but in 99% of the cases the reason for clipping is due to people trying to get more from their underpowered amplifier.
"In the case of under-powering, the driver is blown because the amplifier is driven to the point that it can no longer amplify the signal.
The amp tries to generate the amplified version of the input waveform, but runs out of "headroom" before the full wave is generated.
The result is a square wave."
First, the only time you would use a non-ported box is when there is a port between two separate chambers, and the drivers are run with reversed polarity. Well, there is another exception - there are drivers designed for any space... self-contained so they can be in a sealed box. Generally more expensive, and a loss of quality.
For every action there is an equal and opposite reaction. If the driver moves in and creates pressure, it WILL push back - and that's going to distort the sound you try to produce next. So the only time you would do this is when your second driver has reversed polarity and is moving IN when the other driver is moving OUT. That way one driver supports the other. Be careful the chambers are not too small or too large, or you will just end up with crappy sound. GOOD REASON TO JUST USE A PORTED BOX. If you aren't a sound engineer, don't try this without a plan designed by an engineer... or you are wasting your money.
There are some drivers designed specifically for non-ported boxes. Use these if you don't have the knowledge or specifications to make a sealed box.
When you use a sealed box with two drivers (one reverse polarity), you don't get to run your amp in bridged mono mode. When you run your drivers in series, it will drop from 4 to 2 Ohm... essentially providing an extra 3db output.
One other little thing, I can't tell if there's a crossover inside the box, and hopefully not. Amplifying all frequencies then throwing away that power would be a shame.
Many amplifiers have built-in crossovers... many passive. Best bet is to ONLY send the frequencies you want to amplify to the amplifier, by using an active (powered) crossover, placed before the amp.
Bunch of considerations... I recommend buying a box at FutureShop, get an active crossover and Bob's yer uncle.
1) Ported boxes provide a slight, natural, boost in the subwoofers Fs, which is the resonence frequency. For example, if you have a sub with an Fs of 37, you tune the port to that frequency (by adjusting the volume the port takes up) and when viewed with an RTA, you will see a boost in the 35-40hz range. The Problem with the ported box is that they're more sensitive to distortion and the sound quality is far worse. The boxes are also bigger.
2) Sealed boxes provide superior SQ and almost no distortion (regardless of how many drivers you are using). They also allow for smaller box sizes, which is always a positive thing to have.
You use a ported box when you want volume and don't care about sound quality.
You use a sealed box when you care about sound quality.
That's pretty much the end of that discussion.
Now, if you have two subwoofers, wired out of phase, the sound produced by those drivers would be cancelled out. Google Destructive Interference.
You don't need to be a sound engineer to make a good box, you just need to read the manual that comes with the subwoofer. Every respectable manufacturer includes recommended box sizes (in CuFT) and some even give you a cut list.
Any subwoofer can be used in a seal or ported box. There have been subwoofers that can be used "free air", but those are largely outdated and no longer produced.
I can't even begin to explain how you can't run your amp in bridged mono because you're using more than one driver, but then you say that running your drivers in series will drop the load in half. If you have 2 drivers and you run them in series, you have to use a mono amp (or bridge your 2ch amp).
The extra 3db output comes from using 2 drivers v.s. 1 driver and nothing to do with the load on the amplifier.
Also, every connector in between the deck and amp will cause leakage, and result in noise. It's not a big problem if you have an active crossover to get rid of it before you waste power to amplify the noise.
If you can get a deck with balanced output, then you don't have to worry about noise, as it will filter it out. A balanced deck will give you a benefit equal to 2x the size of amp. The reason for this is that for every 3db increase, it requires double the power. A balanced line results in a 3db increase over unbalanced (standard RCA). You can CREATE a balanced line by adding a 3rd wire (ground) from the deck through to an active crossover - and to the amp.
Note an active crossover will give you 3db increase as well (equal to 100% additional power).
Simplified:
RCA from deck to amp - passive crossover/caps - driver is equal to about 9db decrease/loss.
Balanced output from deck to active crossover - to amp - driver will result in 9db increase. AND as your amp is only amplifying frequencies you wish to reproduce, you will essentially gain another 3-6db for an increase in sound level and quality of up to 15db.
Don't worry about getting the biggest amp - instead think about how to get the best quality (balanced) signal through, and narrow the range you amplify so you don't throw away frequencies.
By comparison, a 50w amp that has balanced lines all the way, and uses an active crossover, is going to give you as much bang as you would get with a 400w amp with standard unbalanced RCA, passive crossover.
Quick notes:
- * every increase of 3db requires double the power (eg, 1 - 2 - 4 - 8 - 16...)
- balanced system gives +3db increase
- active crossover gives about +3db increase
- bridged mono series gives about +3db increase (compared to parallel)
- passive crossover/ caps throws away amplified frequencies (waste)
* known as the 3db rule
The way they work is they have the driver produce a continuous frequency for an extended period of time, thereby frying the driver. Just a note on that - a sealed box holds more heat, and reduces the driver's ability to reproduce tones.
Drivers do not bottom out because they are under-powered. It is a electromagnetic impossibility.
Clipping is a form of waveform distortion that occurs when an amplifier is over-driven and attempts to deliver an output voltage or current beyond its maximum capability. It has nothing to do with speakers.
Speakers have a rating called Xmax, which is the mechanical limits of the suspension (the surround and spider). You obviously will get distortion at the peaks of the Xmax, but you're more likely to get distortion at the amplifier from clipping.
Also, playing a continuous frequency for a period of time is how manufacturers test and break in drivers before shipping them to you. Usually they're played for 8-12 hrs to fully relax the suspension.
While sealed boxes can hold in heat, a properly built subwoofer can handle the excess heat produced by the driver and the little amount of heat that is produced has absolutely NOTHING to do with how a speaker reproduces sound.
As for vented, I've really no idea but sounds like something to do with cooling ;)