Using a Hard Drive to Cut a Record
Intro: Using a Hard Drive to Cut a Record
We stripped 8 hard drives down the ascertain the most appropriate actuator for our application.
Cutting the Groove
Having seen footage of hard drive actuator arm play music when connected to amplifier convinced us we could invert the process and use the actuator as the cutter head once we mounted an appropriate cutting tip.
Effectively reverse engineering from the digital realm to create an analogue result.
This image tests the theory, signal being fed to a hard drive and played back via a stylus resting on the arm.
STEP 1: Hard Drive Actuators, Early Versions
We stripped 8 hard drives down the ascertain the most appropriate actuator for our application.
The arm from 4"drive as opposed to 2.5" drive allows more current resulting in greater amplitude this equals higher volume.
We built three versions of cutting head gaining improvements at every step.
A Google search revealed a patent listing that confirmed the problem of an audio dropout at around 8khz due to harmonic resonance introduced by the mechanical clamping of the tiny bearing between the arm and drive housing.
We eliminated the bearing all together, replacing it with a machined piece of flat aluminium clamped to the head between thin rubber shims.
STEP 2: Cutting Tool
Cutting the Groove
Initially following advice we used a standard stylus as used on 78rpm recordings, being three times bigger than the later microgroove keeping the engineering out of the truly microscopic realm.
But were not getting a good retrieval of the upper frequencies, so we opted to use a microgroove cut. This also gave us a little over 3 mins of audio onto the bottle rather than less under 2 minutes a standard groove.
Also the downforce is much less resulting in less heat input to the cutting tip and less current required, the coils on the head were smoking in some tests!
We ground a high-speed steel cutting tool which we polished to mirror finish resulting in a very quiet cut, all this taking place under a microscope!
We also have a couple of sapphire tips which we used for some test cuts but we found the steel one are quieter but with a much shorter life, in fact any contaminants in the coating would take a microscopic chunk out of the tip effectively destroying it!
Heating the tip by winding hair-thin NiChrome wire and passing a current through it resulted in a smoother cut, requiring less downforce and reduced surface noise as it helps it glide through the surface without tearing the substrate.
Every time the downforce, cutting speed or heat adjustments were made recalibration and equalization of the audio was required, many days were spent resolving this.
All theses images shot on iPhone 5!
STEP 3: Initial Cuts
Cutting the Groove
To control the actuator's movements, damping was attempted with various materials, a more powerful spring was able to temper the actuator's large movements without reducing fast ones. This introduced resonances and harmonics which were removed prior to recording by software equalization.
We experimented with damping he cutting head initially with blue tack (as Gum was used in the middle of the last century), we then mounted a silicone oil filled trough to the arm with a paddle attached to the head and later to the arm itself, this being easily tuneable by adjusting the size of the paddle and viscosity of the silicone.
Adding up to a kilo of ballast to the cutting arm made further improvements.
We also mounted a cartridge to the end of the cutting tip to moniter the audio as was cut real time, also allowing us to compare the difference quality between the cutter and the resulting groove when played back.
Each cut was scrutinised under a microscope to inspect the smoothness and profile of the groove, and to check the cutting tip for damage.
Surface Substrates and Coatings
Research shows that historically nitro-cellulose paint was used with a small amount of castor oil added, still used at a London cutting house.
Clear nitrocellulose was successful once a the correct amount of castor oil was established, again through trial and error.
STEP 4: Cutting the Grooves
Cutting the Groove
Many of the above developments gave us incremental improvements to upper frequency ranges, but we achieved a big improvement by recording at a quarter speed, and subsequently 1/8 speed. This way the cutter head didn't need to achieve these high frequencies in real time in order to cut them onto the record.
Consequently the cutting time for the track was a very tense 26 minutes.
Using small tube mounted close to the cutter vacuumed away the swarf as it peeled off the surface, should it come in contact with the hot cutting tip it would instantly bake on.
We cut scores of tracks in the quest for the greatest dynamic range and least amount of surface noise, by cutting onto
coated cylinders prior to the final cut onto a coated bottle.
Notice the ni-chrome heating wires glowing red hot in the final image!
STEP 5: The Player
The Player
Once we had the final bottle with it's audio track cut into the surface coating we designed and constructed a player from black acrylic sheet laser cut from a file drawn up in the 3D.
Much of what we learned through the build of the cutter we applied to the player.
Special attention was made to eliminate any unwanted noise being introduced by motor noise, bearings and resonances from the tone arm and casing of the player itself.
STEP 6: Sound Files
We recorded a series of sweeps from 50hz>10,000hz, then some Philip Glass as the orchestral nature of the music allowed us to hear any aberrations and make adjustments with the speed control and equalisation.
Also included are a couple of tests from cylinders we cut prior to the cutting on to the bottle.
Here's a link with the actual recording from the bottle:
https://www.facebook.com/photo.php?v=10151457180854327&set=vb.242417102030&type=3&theater
Cheers Andrew
47 Comments
Nate Cougill 9 years ago
Truly incredible work! I really like being able to see your thought process and the workflow involved in a project like this.
Samuel kos 10 years ago
evengravy 10 years ago
meritsetgo 10 years ago
bricabracwizard 10 years ago
TheRealDutchOwner 10 years ago
Great design, hope you can make a good tutorial sometime.
Mrplaser 10 years ago
Gyro_ 10 years ago
I have spent many hours documenting the a very complex process, if you require more information just ask.
Gyro_ 10 years ago
We will be taking the player to a studio to record the track, which may be made available depending on copyright.
Jupiter Justice 10 years ago
ace555 10 years ago
Tex Arcana 10 years ago
Gyro_ 10 years ago
AuralVirus 10 years ago
Gyro_ 10 years ago
Yes it was a promotional item by a company that promotes the arts in this country.
I was very surprised that this gained the amount of global interest it created, that interest largely viral as it did not have a large push behind it.
I find it interesting to suggest we reinvented the wheel using stone when in fact it was reinvented using the latest most exacting piece of engineering readily available to the consumer.
I got the inspiration to use a hard drive actuator from the web whilst researching it's feasibility, we have taken it to the next level, I'm sure through sharing what we have achieved will spur others onto utilising the components in other areas on home build projects.
The fact it has had such interest on Instructables is testament to the fact there is a hunger for analogue in the techo world, look at the emergence of Steam Punk, and many other projects here, many of them are pure folly, the satisfaction is in the design, build and sharing.
And yes, we did push the audio quality forward by a huge degree from what has been cut onto cylinder based recording devices historically.
We were lucky enough to be commissioned in this case and I hope the results will be an inspiration for others, 3 of us worked on this for 2 months on quite a limited budget, this ended up being one of the most challenging yet satisfying projects to date.
UniBot 10 years ago
AuralVirus 10 years ago
tommychev 10 years ago
vincent7520 10 years ago
WE ALL NEED A VIDEO ! WE ALL NEED A VIDEO ! WE ALL NEED A VIDEO ! WE ALL NEED A VIDEO !
PLEEEEEEEASE ...
Gyro_ 10 years ago
Here's the link on my website, video link bottom right thumbnail:
http://www.gyro.co.nz/pages/featured_projects_becks.html
I'll put an audio file file up soon!
Thanks for your interest Andrew