I'm going to show you (as best as I can) how to make light transmitting concrete. Google it, and you will be amazed at how beautiful it is! I was desperate to get my hands on some...but considering the cost, I decided to make some with stuff I already had around.
This material has the strange effect of looking shiny or sparkly...but it's dull concrete at the same time! It's very entertaining to show off or play around with.
If this material interests you, check this article out:
http://www.impactlab.com/2009/03/07/litracon-see-through-light-transmitting/
Here is the HD video:
Here is the normal video:
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I ended up having to make this thing twice. The first time, I really messed up the water to concrete ratio on the mix, and when I tried to demold it, it was very crumbly and pretty much fell apart.
http://flic.kr/p/bKoXPT
I took photos of the construction of the first one, but didn't photograph the second one until it was complete. I learned quite a few little techniques on the first try that made the second attempt go much easier, so I'll describe those techniques as I go.
I started with the clay base. Then I printed his logo in black on my HP inkjet printer, cut it out, pressed it onto the clay, then wet the back of the paper and dabbed it a bit with my finger. HP inks are water-soluble, so when you peel the paper away, it's transferred enough ink to see what you're doing onto the clay.
http://flic.kr/p/bKoX7T
The second time round, I decided that was still too hard to see, so I filled the design in with Sharpie. This helped a bunch.
I started putting fibers in one by one with plastic tweezers, but the fibers are so low-contrast that I had a very hard time seeing where they were going and where they needed to be.
http://flic.kr/p/bKoWn8
So I used a highlighter to color about the last quarter inch of the fibers, and worked under a blacklight, and I could see what I was doing just fine. The inked part of the fibers ends up in the clay, and it doesn't bother the finished piece.
I also discovered that an incense holder makes the perfect staging area for fibers, the ash trough makes it very easy to pick them up individually with the tweezers.
http://flic.kr/p/bKoWPg
After it was cast (and I fixed a crack with epoxy), I polished it up as best I could on a disc sander (killing 2 discs in the process), and covered it with several coats of triple-thick glaze.
http://flic.kr/p/bKoRoD
On one side is random dots of light...
http://flic.kr/p/bKoRPp
On the other, a logo!
http://flic.kr/p/bKoS36
Oftentimes, crumbling happens because of too much water. In order to get regular concrete thin enough to fill the spaces around the fibers, it's too wet and cures strangely. Rocktite is really magical stuff, you can't add too much water. It pretty much cures no matter what.
A secret I learned from casting lots of stepping stones is that once you open a bag of concrete, you have to either use it within 24hrs, or put it in an airtight garbage bag and seal it really good. Old, opened concrete will pretty much crumble no matter what you do with it (absorbing water in the air reacts the lime in the micture)
Rocktite seams to work fine even if its left exposed for a very long time.
The fibers I used were from an LED fiber optic lamp I found at the dollar store. I snipped them to length with scissors.
I presented this piece to the owner of the concrete business, he really enjoyed it.
He gave me some tips on working with concrete. Firstly, concrete will always shrink a bit. If you don't want your piece to shrink, use non-shrinking grout mix instead. (he gave me an 80lb sack, yay!) He said it probably crumbled because I put too much water in. The grout apparently doesn't have that problem, you can mix it thinner if you need.
www.clydelynds.com
First saw an example of his work back in '88. Looks like he's gotten more sophisticated.
My Cousin is in Peru helping villagers to add sky lights to their huts. They use a clear plastic pop bottle filled with water (clorinated to keep out green stuff)
It is embedded in the ceiling and sticks out of the roof. It channels sunlight into the hut and apparently lights up as well as a 60 watt light bulb. As long as the sun is shining!
you can read about the process on Karl's blog at:
http://krrrl.blogspot.com/2011/08/august-8-2011.html
1) Sticking the fibres into the concrete AFTER pouring the concrete into a mould,
and
2) having less space in between the fibres to allow more light to pass through
Thank you in advance :D
Here are a couple other things i was thinking abewt:
1) if you want uniform light transmission, maybe one could use a mesh or some such thing to distribute the fibers evenly over the surface.
2) Well, what about non-uniform light transmission????!!! Sounds like something with real potential to me. What if you varied the density? You could create areas of gradient,highlight or shadow or an entirely new design or swirly pattern within your piece, which could really add an interesting dimension to a sculptural piece that was a low- or medium-relief.
You know, if you want to color the material, you don't necessarily have to use paint. You could conceivably use a colorant, like iron oxide (or one of those marking powders they use for carpenter's chalk lines, some of which are iron oxide) or a mason stain (sold at ceramics places) and mix it into your goop. If you are using cement, you can make it brighter and less gray by using white Portland cement instead of the ordinary dingy gray variety.
I'm searching for a way to clean up the crushed glass from the recycling center to use. It's got too many label bits stuck to the glass.
I made some fine crushed glass with a capped steel pole and a baseball bat. Just pound away until its like a dust.