Step 5: Time We Went Faster

So you're ready to try taking photos of really fast stuff now...

Definitely a moment to consider a few things, can you focus before shooting, ie: does the camera lens whir and the picture becomes sharper when you push the button half way in? If so you're able to do this in a quick and easy way, you need to focus on where the object will be (distance wise) and either follow and wait or wait for the object to hit the sweet spot. Settings wise you'll be looking at 1/2000th of a second at 200-400iso for a sunny day, again shutter priority is probably the best setting, I have found that full manual means that blown out pictures are too easy on a bright day.

For those without manual settings go for either full auto or one of the 'bright day' settings, they all have silly names but there should be one or two that have that general gist. Now if you focus beforehand then work away, this'll be easier with more light as the camera will lower shutter speed until it's happy. The actual shooting is the same for you guys just focus and wait...

For those with fixed focus you probably have a big enough depth of field to just shoot until you get a shot you like.
Using wire wool, a wire coat hanger, and lighting it - 10 minute exposure at f5.6. (c) Dave Treadwell Photography http://www.davetreadwell.com
Beautiful effect, must try that, what's it like just looking at?
How do you mean?<br> <br> Really it just looks like a nutcase with a blazing coathanger!<br> <br> View on black/larger:<br> <a href="http://www.flickr.com/photos/davetreadwell/4468704844/lightbox/" rel="nofollow">http://www.flickr.com/photos/davetreadwell/4468704844/lightbox/</a><br>
Here's an example of a &quot;trail&quot; photo that I learned about awhile ago.<br/>You'll probably need to set your camera to manual focus mode. With the lights on, focus and compose your shot, and don't change the focus. Then, set the shutter time to a few seconds. Turn the lights off (nearly complete darkness is ideal) and take your picture while the subject moves his arms around. Now, this make for a nice, in-focus, but rather typical trail picture. <br/><br/>However, for an effect like the picture attached, you want to leave the flash on. By doing this, you get the frozen frame that is fully illuminated, but the trails still show up because they are the only source of light while the shutter is left open for the rest of exposure.<br/><br/>This picture was taken with a Canon A720IS, which allows quite a bit of custom control for a compact camera.<br/>Don't be afraid to leave the AUTO setting on your camera! The fun parts lie elsewhere.<br/><br/><em>Kudos to my brother for posing.</em><br/>
I recently acquired the exact same camera, so I'll have to try that soon.
The trick is to use shutter priority if you've got it, leaves all the dirty work up to mr camera and you choose the time, it usually is pretty ignorant of focusing aswell, most of ours aren't out of focus, we just didn't bother getting the tripod out as we were having fun. For an even better shot of the trails and nice picture use slow synchro. This fires the flash at the very end, that's also how you get well illuminated shots of people at night, backgrounds intact... That photos pretty cool though, I tend to get most inspired around fire though so...
so, you spin staff... I'm into poi myself, but both can get you awesome effects
sorry, the second pic is the wrong one
When you get a pic like that I always think of cartoons characters running, I keep meaning to get poi on short strings and do a few photo setups with them, that and you can get much more angular patterns with them, or just go for the stick...
I do poi aswell but that was all DIY and we didn't have the stuff for poi...
i tried the lower iso and found that it worked ok but had to use tripod to keep it steady( I have a night photo option) on the macro I got good results but will stick to using the 275 reading glasses lens to<br/>get the close results that I need for the closeup work on coins that I do <sub> you should build the ir flashlight with 2 ir bulbs that helps at night </sub><br/>
Hmm I prefer my baby canon the way it is, the old thing just keeps plugging away at it, and extension lenses so have a bad habit of messing wit the extension gearing... I wouldn't mind the flashlight though... That seems like a great way to help lowlight focusing,
This is not something that you add to the camera, the 275 is a magnifier that you hold in front of the lens in micro,Sorry, if I didnot make that clear, Just hold it in front of the lens when you snap a picture in micro to magnify the exposure.. I too don't believe in trying to tape or glue crap to a camera lens.. Hope that this clarifies the point to you
Sorry I thought you meant one of those 'one size fits all' add on lenses, I take it this is like a fresnel lense...
No it is exactly what I said. A lens taken out of a pair of reading glasses bought at Walgreens for $4.95.. you have to cut the frames carefully to avoid breaking the lens. I use the 275, but I don't know if stronger would work or not , need time to experiment
Ah sorry missed the glasses line, I will have to play with a fresnel sometime, thinking of somthing like the deathray to make an effective 4 foot start diameter for really low light photography..., never in daytime though, the ccd would fry...
good ideas most people just use the auto mode on a digital and let the camera do the work, glad thaat yo went to the trouble to write this up. I have a couple of digitals but no dslr as yet.. willtry some of the tips tonight
Just out of question how did the tips work for you, it would be good to get a kind of database of thing to do with different makes, as all presets vary greatly, that and I was wondering if it worked for you in general...
Thanks, I just noticed alot of alienation toward slrs when really any camera can do it if you know how to persuade it to.
Wow, you guys are <em>insane</em>!<br/>Awesome Tool Tip Instructable by the way, the first picture is always awesome, it came out so cool!<br/>
Cheers, yeah that's one of the rituals for ballycastle we have, that and and jumping into the rock pool, bunch of guys, explosives and fires and drink...

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Bio: A Northern Ireland based maker with a propensity to cause trouble and freshly constructed family.
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