(easily) Etch Images in Copper
Intro: (easily) Etch Images in Copper
http://www.artiswrong.com
STEP 1: Overview
This instructable will leave you with a nice copper etching of a digital image of your choice.
Along the way, you will:
Do some digital image editing and manipulation
Laser print your image onto a transparency
Iron the transparency onto a copper clad board
Chemically etch the board
Ready? Onwards!
STEP 2: Get Yo' Materials Together
Some circuit board etchant (FeCl2)
A copper clad board the size of your image
A transparency (kinko's sells them for about $1)
A laser printer
An iron
A plastic tray larger than your board (to hold the board and etchant)
STEP 3: Get Some Tunes
Slip a favorite CD into that deck of yours, or grab one of my mixes from http://www.artiswrong.com/alex/mix
Now you're ready to get down to it!
STEP 4: Prepare Your Image
OK, so using your favorite image editor, convert the image colors to grayscale. This will give you a better idea of what the image will look like once it's etched.
Now, scale the image so that it'll print to a fairly small area. Mine were 3"x4", and they worked out alright. I tried a full page image, and it's really hard to get the transfer to work for larger images. Try something small to start out with.
Remember that the image will be flipped (mirrored) when you transfer it, so you might want to flip the image before you print it (and definitely flip any text).
Print the image onto a normal sheet of paper and see how you like it. Play around with it until you're happy. Then, move on to the next step.
You might notice that I made 4 small images. Play around with it! Try inverting the colors, or playing with the contrast/brightness settings
STEP 5: Print Onto the Transparency
Load a transparency into your printer's tray.
Print your image exactly as you did before. Remember which side of the transparency your ink is on. Maybe mark it. If your image has text, this isn't a big deal--you'll just put it onto the copper so that the text (which you printed backwards, remember) looks correct (like normal text).
STEP 6: Transfer the Ink Onto the Copper
First, you want to take a piece of steel wool to the copper sheet (both sides), and buff it until the entire sheet is shiny.
If your transparency is much larger than the copper sheet, you can trim it down, but leave some (.5 inch) room on the sides of the image.
Now, plug in your iron, and set it to a hot setting.
Put your copper board down on the ironing board. Position the transparency over it(ink side facing the board!). Put a piece of wax paper over the transparency.
Now, being careful not to slide the transparency around, put the iron on top of the wax paper. Press down with the iron, and iron all around the transparency . Iron for about 5 minutes--if you iron for less, the ink won't transfer well and you'll have to do it over again.
When you're done, set the iron to the side. The copper boards will be very hot!
I found that the ink will transfer best when the board cools down. You could either wait for ~10 minutes, or, if you're impatient like me, you can carry the board to a sink (remember that it's really hot!), and run some cold water over the other side of the board. This will cool the board down in about 10 seconds.
After the board is cool, peel back the transparency. Most of the ink should have transfered to the copper board. If you notice that it only partially transferred, it's OK. Leave the transparency on the board, put the wax paper on it again, and iron some more.
When you see a pretty faithful representation on your board of your image, you're done. Onwards!
STEP 7: Etch-yer-sketch!
Now you'll use ferric chloride to etch away your copper and "develop" your boards
First, you should know that ferric chloride is really messy and can stain stuff (like floors!), so do this in an 'informal' setting. Ferric chloride is also acidic, so you'll want some nitrile gloves. I've had some on my skin, and it just irritates, rather than burning through my body, but it's not a nice sensation. Safety glasses might also be a good idea for the safety-conscious instructable
So, put down a plastic pan that's larger than your copper board. You want a nice, heavy-duty plastic like a container lid.
Put your copper board face down in the pan. Slowly pour ferric chloride over the board until the board is submerged.
Now, you sit back and wait. It took me about 30 minutes to fully etch my boards. Check in on your boards every so often to see how well the copper's etching.
When it's etched to your satisfaction (you should only see the black ink of your image, and the fiberglass board everywhere else), pull the board out and clean it off with water. Be sure to rinse off all the etchant. Remember that even a little bit of etchant can stain a porcelain sink, so do this somewhere 'informal' I sponged mine off first with paper towels, and that made things less messy.
Hang on to your etchant--you can do a bunch of boards before it'll stop working. When you do want to get rid of it, DON'T pour it down your drains.
MGchemicals.com offers this advice for disposing of Ferric Chloride:
1. Contact your local Hazardous Waste Disposal Company
2. The solution must not be put down the drain because of residual copper ions left in it. To make it safe for disposal, you can add sodium carbonate (washing soda) or sodium hydroxide to it to neutralize it, until the pH value goes up to between 7.0 and 8.0, testing it with indicator paper. Copper will be deposited as a sludge. Allow the sludge to settle, pour off the liquid, further dilute it with water and then it can be poured down the drain. Collect the sludge in plastic bags and dispose of it as required by your local waste authority.
If you're at a university, just contact your Environmental and Health Safety Office, and they'll be happy to collect it and dispose of it properly.
STEP 8: Finish Up
STEP 9: Cheese-it!
Enjoy your cool etchings. I'm making two-sided etchings to use as my business cards. Now go out and do some cool stuff!
-al
http://www.artiswrong.com
111 Comments
StacyP2 9 years ago
Hey,
I am trying to make a fountain with a large piece of copper art as the surface that the water cascades over. Do you know if I can use this etching process and have the image remain in tact after extended water exposure?
Thanks
anotherspecialedmom 4 years ago
anotherspecialedmom 4 years ago
NoaP1 7 years ago
is this good for printing? WHat is thickness os plate?
DangerousTim 8 years ago
Using halftone effect with lines turns out much better
ahartitzsch 10 years ago
Jack Corsair 9 years ago
one thing my brother did was reprint on top of his old print twice. so you get more ink that can transfer.
iamaqtpoo 13 years ago
sprive 12 years ago
For photos, the thinnest board works best, and is easily cut with a razor blade and edge, or paper cutter.
The fiberglass backing could be any color, unfortunately. Some very thin (flexible) PR4 I ordered had solid black backing, which is perfect for photos. Just remember that you will have 2 "colors" - copper, and the background. In some cases you may want to invert the picture and slightly alter the color "levels" to maximize desired detail.
Thicker PR4 might not fit in some picture frames, but if you shop based on cost it's not likely you would end up buying the thicker circuit board stuff (as weighter stuff is more expensive).
The iron transfer worked awesome. This valentines day my wife gets a hand-made card which could be framed. :-)
MatanSilver 13 years ago
WingDings 12 years ago
syrax 14 years ago
sprive 12 years ago
If you are etching, you only have 2 "colors": copper and substrate. There is no ability to blend or gradient the colors except by dithering/halftones. So you must use black and white, for best effect.
Also note with B&W, there are a range of dithering and halftone options you can choose from, which affect both the coarseness of the dots (think: newspaper halftones) and the placement of the dots (in a regular grid, or gridless which makes the dots look more randomly placed, like old Macintosh artwork).
As a constructive suggestion, @syrax's b&w photo looks a little washed out in the highlights. That's not due to his b&w method, but rather the original photo -is- actually washed out in the foreground. This could be fixed by playing around with the Levels or Gamma in Gimp or Photoshop, and that would restore some facial detail that's currently lost in a large area free of any detail (white).
I'm about to attempt this, to take up extra space on a PCB, for my first etch. :-)
HMBeck 12 years ago
vincent7520 13 years ago
It looks like an old sink that we had in our farms here way back then …
Am I wrong ?
Note, for the funny side ot things : at 1st I thought they were resting on the curb of a side walk. Curbs in most French cities (from where I post) are made from the same stone, with water runnig at the base it made the whole thing real. But who would put apples there ???… :D
eclarep 14 years ago
As an Art Major (who is planning on going to medical school, completely abandoning art for the time being), I focused on printmaking.
To clean the plate without damaging it (steel wool seems harsh) I always used cheesecloth with a bit of mineral spirits. It works really well if you are using lithograph inks.
Also, you can find genuine copper plates at art supply stores. They are expensive! In fact, I split the cost of one with 3 classmates during my last semester of college (Spring 08) and haven't used it yet. Fear of commitment/not wanting to ruin something so expensive led me to re-use the plates people had discarded, even when no copper was left.
MatanSilver 13 years ago
StuNutt 13 years ago
I've started doing a few printed circuit boards and been having some problems, but there's ideas in here that have helped.
Stu
-Aj- 14 years ago
beehard44 13 years ago