After a year of design and work, I completed my Re-Programmable Music Box / Mechanical Synthesizer / Organ Grinder Thingy. It has many names, and is 100% non-electric. Just wood, metal, and good ol' people power.
I began this project as a sort of proof-of-concept, designing something from scratch without a lot to base it off of, and a whole lot of engineering problems to solve. Also, I didn't really know what I was doing. It was intended to be a learning and problem-solving experience. And it was a lot of fun.
If you like my work, please vote for it in the Woodworking Competition beginning October 3rd.
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Signing UpStep 1Design and Planning
I started with the idea: a large wood cylinder will hold metal pegs. It will rotate and force the pegs to pluck metal tines, which are tuned to specific notes.
I selected 12 notes across, since it seemed like a very flexible number of notes and allowed me to fill it with a simple 8-note scale in the middle, with a few extra high and low notes. I could also tune in flats or sharps if I wanted some specifically, or get almost all of a chromatic scale in. I selected 32 notes "around" the cylinder, because that's what you need to play Pop Goes The Weasel, or any 8-bar song using quarter notes.
The cylinder is made of softwood, 8" in diameter, that I picked up from a nearby carpenter for free. I found a belt that fit snugly around it to use along with a few gears and a belt for the cranking mechanism.
The tine material was cut from the prongs of a garden rake. This works great because it is flexible but snaps right back into place. The tine holder design was sort of up in the air until the rest of the machine was done, so that I could do testing. Initial designs were too complex and tiny, but the final design (image 3 below) is about as simple as possible, I believe.
Originally I wanted to use almost all wood for this project, but it turned out wood wasn't going to offer the precision that I needed for the tines. I ended up doing it with a CNC at my college. In Step 7 I hypothesize how it could be accomplished without such expensive tools.
When designing the wooden frame, try to place the pieces to get as few exposed edges as possible. The edges you do have, try to align them so that they create borders and still look appealing to the eye.
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Anyway, it's a great work and I'm thinking about doing one myself! Thank you, it gave me a lot of ideas!
http://www.youtube.com/watch?v=Mn7hVHlNN9s
I understand your frustration in getting the cylinder precisely shaped. I'm considering constructing mine out of more staves (maybe 24 instead of the 8) and possibly just forgetting about rounding it. At those shallow angles, the pegs should have no difficulty plucking the tines.
Since you're having difficulty getting your cylinder to shape, perhaps you could mount it on a mandrel and use an electric drill as a makeshift lathe. You could cap each end of the cylinder with a large metal disc with a hole in the center (basically a very large fender washer) so the pressure would be exerted evenly, and then run a length of threaded rod through the center and clamp the piece in place with a couple of nuts. I use a similar method when building handles for my fishing rods, and the cylinder is big enough in diameter that I think you would get an acceptable speed of rotation on the outside face to effectively shape it.
Regardless, it's a really great project, and I'd be thrilled if mine turned out as well as yours did as-is. I'd like to find a wind-up mechanism similar to what you see in commercially available music boxes, so that the cylinder doesn't need to be manually cranked, and the music would start and stop when the box was opened. I'd just hack an old music box, but I doubt the mechanism would be strong enough for a cylinder this size. Any ideas?
The mechanisms inside a music box are incredibly weak. They are a coiled piece of metal which when cranked, is tightened up, and when let go, it expands back to its original size, rotating a center shaft. The scale you would need to go with for that kind of mechanism, for this size of application, would need to be huge.
I would recommend electric drive, its the only way to get the torque required. Using a drill motor, a worm gear, and a large gear on the cylinder would give you slow speeds and no slippage (worms can't slip backwards.) I would say this is the only practical way to do it. You're saying you want this for a music box, but unfortunately its hard to miniaturize this design any further. I would recommend you take a old music box and maybe try to make a new drum cylinder to play a different tune, a favourite song or something, using the existing notes. I don't know how you would machine something that small and precise, though.
Its a major challenge. There are a lot of difficult mechanical and practicality issues here.
The electric motor solution would work, but I feel that it would detract from the handiwork appearance of the music box, and I don't want her to have to hassle with batteries or an adapter. She won't mind the hand-crank mechanism, I think, so I'll probably just save myself the extra frustration and leave that as-is.
I tried my hand at a simpler project (basically a mitered box) to give myself a refresher before I ruin anything of this scale. I'm having a difficult time getting my cheap Skil table saw to cut miters accurately enough to make a box, let alone a cylinder. I think my best bet will be to only use 8 staves in my cylinder, as you have. Any advice on getting the cutting angle just right?
I haven't got much for suggestions for that, I'm afraid.
Thanks very much for the kind words. Its the community here that helps keep me going.
out of respect for the be nice policy i will be nice
i worked for over 5 years to come up with the idea of the mechanical kalimba
look at my blog timmymontanaautomata
its is an original idea of mine
it is wrong to enter a contest with a strict alchemist idea
Thanks for posting. I have never seen your work, and I do see how it is very similar in concept to what I built. However, I'm sure you're aware that organ grinders have been using "barrel organs" for well over 100 years; now we can agree neither of us invented those.
This is merely my take on what I did, building a unit that can be re-programmed at will. This is something that the original organ grinders did not allow.
Also, Instructables isn't about original ideas, its about writing guides to build things so that other people can do so, too. I could write "How to take apart a car" and nobody can say "you didn't invent cars" or "you didn't invent taking things apart" because I didn't claim to. This doesn't need further discussion.
If you would like to comment more send me a private message. Thanks.
PS. What is a "strict alchemist idea"?
The antique one had a cylinder that appeared to be a section of limb or tree trunk. It didn't appear to be that rounded but I imagine that, if only one song is to be played, the position could be tweaked as needed. One tweaking of each peg would be enough.
If you put a strip of iron at the back of your holes, you could glue the magnets to your pegs, and need much less magnets.
Another idea that springs to mind is to put a tuned resonating chamber under each tine (or per two, to halve the number of chambers needed). That might give it some more volume.
And a last thing: did you choose your gearing such that each forth (or second or third)count coincides with a downstroke of the crank?
The gearing is not tuned to anything specific. I couldn't tell you the gear ratio, but its probably something like 20:1
Can you tell us more about the pegs used – how did you get/make them, are they easy to move, are the magnets really necessary?
I think your tine and bridge design are excellent. I wonder if a larger body/thinner wood might give you better resonance though.
In the case of Pop Goes The Weasel, you'd be better off with 48 holes around the circumference (12 per bar for 4 bars) since it's really in 3|4 or 6/8 time. That wouldn't be useful for tunes in 4/4 though. 96 holes would be versatile. 4 bars at 24 notes per bar would give you the option of 1, 2, 3, 4, 6, 8, 12 or 24 evenly spaced notes per bar. It goes without saying you'd need a pretty big cylinder though.
I have theorised about a similar (much more crude) design. I was thinking of a large diameter PVC pipe for the cylinder, driven directly with a crank handle (without the gearing you have used). Each peg could be a nut and bolt - with the a nut glued to each hole in the PVC (effectively making each hole threaded) and bolts screwed in to strike the notes. Perhaps varying the height to which each bolt protrudes could affect the dynamics (loudness and softness) of the notes, or perhaps that would adversely affect pitch. However, you'd probably want an easier way of recomposing the pegs – e.g. some sort of springy push-pull pegs. The key thing would be to make it easy to create new tunes.
I am also very interested in rford's comments about punch cards. I would very much like to see this idea expanded upon. There is a simple music box available using this idea here: http://www.grand-illusions.com/acatalog/Large_Music_Box_Set.html
The potential is quite exciting, but I have no ideas how to implement this. :(
I bought the pegs from a local store, they're 1" x 1/8" length. Using 1" holes on the drum with a 1/8" long magnet at the bottom makes them protrude 1/8".
A thinner body would definitely give more resonance. Something thin and reinforced like an acoustic guitar would be good.
The thing about this is that if you know the song, you can add rests by just strategically stopping the rotation. About additional holes, it becomes a massive undertaking to build. It took 4 hours to drill and 2 hours to glue all the magnets into the holes. The magnets alone cost $42 for 400.
Screws was an idea at the beginning of my project, but I determined the wood would deteriorate from being screwed into so many times with self-tapping screws, and the amount of screwing required to program would make changing the song very unappealing. Also, simplicity is important when theres so many pins.
At this scale, paper punch strips may be too fragile for direct interaction with the pegs and tines.
I agree that self-tapping screws in to wood would have a limited lifespan. And that simplicity and ease of re-programming tunes is key to functionality. Your magnet solution is the best so far I think.
Just thinking out loud: I wonder if my nut and bolt idea would be more feasible if the screw thread was much steeper, so that it only took, say, half a turn to set or remove the pegs? I don't know if such a thing exists though.
Another option might be to have all the holes filled with pegs/bolts screwed down flush with the cylinder and just unscrew those you want to protrude on any given tune. If the cylinder was wood, perhaps you could use internally threaded anchors set into the cylinder. Something like this:
http://www.kevinbrassind.com/images/brass-%20pool%20-cover-%20anchor.jpg
Anyway, once again, very nicely done and thanks for sharing.
What do you think of the idea of making it run on punch cards.
If the pegs were spring loaded, and only extruded where there was a hole in the card. It would remove the limit on the length of the song.
An extra row of pegs on the out side edges, with no notes. Just to register the card and feed it in properly.
Now if I could just think of some way to have it re-tune itself from the punch cards.
Can you elaborate on your punch card idea? I have found this existing product:
http://www.grand-illusions.com/acatalog/Large_Music_Box_Set.html
... but I can't get my head around how this works. The springs would have to be sensitive enough that the card prevents them from protruding but strong enough to pluck the tines without retracting.
Have you seen any Instructable on this, or similar products?
The idea was to have the tines would first impart a perpendicular force that would lock them into place and keep them from being pushed in as they pluck the tines.
I know it can be done some how, there are a lot of examples of card controlled music boxes.
Maybe we need a "destructables" where people take things apart to see how they work.
Nice box man, I thought we were going to here some Scorpions though. Good Work!
End of civilization as we know it scenario
Gold will be a currency
All the dweebs will want music
sell it to them for 1 ounce of gold
Scorpions- a rock band