The rig described here helps you structure the photos for best results. It lets you spin the camera around the object at a constant height and distance, while the object stays still. You can easily move the camera up and down to get top and bottom angles.
For this project, you will need:
Tools
3D printer
Saw
Electric screwdriver
Wood materials
3x 36" long 1" dia dowel
1x 12" long x 3/4" thick x 2" wide plank
1x 8" x 8" x 3/4" board
1x 6" x 6" x 3/4" board
Hardware
38x #8 3/4" construction screws
4x #8 3/4" hex bolt
1x #8 1" hex bolt
5x #8 wing nuts (6x optional)
2x #8 lock washers (3x optional)
1x 1/4" x 3/4" thumbscrew
1x 1/4 washer
2x casters (the base should not exceed 2" in depth)
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Signing UpStep 1: Print the plastic parts
1x l-brace
1x 3-brace
2x 2-brace
2x 1-brace
1x collar
1x flange
3x shaft collar
1x camera ring
1x camera platform
1x extension arm (optional)
Download the files and print them yourself, or send them to a service. They are also hosted on Thingiverse.
adapter_ring.stl67 KB
camera platform.stl67 KB
cameramount.stl220 KB
collar-branded.stl378 KB
extension arm.stl84 KB
flange.stl156 KB
l-brace-branded.stl448 KB
one-brace.stl136 KB
shaft collar.stl115 KB
three-brace-branded.stl452 KB
two-brace-branded.stl377 KB




















































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It does, however, seem a reasonable solution to modelling larger objects than might be practical on a turntable. Four more pieces similar to the 45-degree(?) braces for the vertical pole, but pivoted by their flats, to allow for larger platforms, could connect by dowels to the sleeve on the platform-support (possibly, it would also need pivoted attachments), to support larger platforms without blocking the 'swing-arm'.
I would like to see some length/distance markings ruled on the 'swing-arm', and height marks on the vertical pole (so that you can set-up regularly-used points more accurately), as well as a line along the upright's entire length, which could be matched up with a mark on the camera collar, to keep it always pointed in the same direction .
I say "a problem of scale" because this is, essentially, a giant, stripped-down, turntable - albeit with the camera moving, rather than the 'table' and subject - and 123D Catch doesn't seem to have a problem with it.
The main issue with this particular rig is the need for a flat, smooth, level (circlular) space, something over 6-ft in diameter, which doesn't seem particularly suited to 'home use' (not that I think it was/is intended to be such).
Sure, you need space to use this rig; no question about that. I like this Instructable because in my experience 123D Catch has worked best with consistently lit, well overlapped photos. This rig can help the less experienced user get that right. A person might attach lighting to the stable central platform to provide unmoving light on the subject.
I wonder about your suggestion to enhance the program to allow for a rotating subject with stationary camera. One beautiful feature of 123D Catch is that the photos can be taken with a handheld camera in arbitrary positions. I don't want to lose that. If the software needs consistent lighting cues to be able to handle the camera motions, that's a tradeoff I'm willing to accept.
However, looking anew at previous comments, some people are claiming success with turntables, so maybe there are ways around the problem, without waiting for software fixes that may never come (even if they are possible)...
Thanks in advance!
Yaughn
...Man, I really like those red fittings:)
A similar design made from PVC plumbing fixtures would be interesting as a more accessible/cheaper solution.
What models have you managed to catch nicely so far?
I looked at PVC initially - the problem is that it is difficult to find PVC pipe fittings (especially flanges) with a 45 degree angle, and slip joints don't exist. PVC couplers generally contain a small ring inside to keep the pipes from sliding through, and for this design I need the pipes to slide.
However, the build stage lends itself to being built from metal plumbing fixtures, a pipe and two flanges. That would make it more stable. However, it would cost more than all the printed plastic parts put together...
Nice idea btw. :D
An adjustable pole, a level,a camera, 123D Catch, and a piece of string.
1) Attach the camera and the level to the top of the pole.
2) Loop the string loosely around the object and tie a knot.
3) Tie string to the top of the pole securely at a distance from the object that suits your need.
4) Use the level (attached to the top of the pole) to ensure the camera is level.
5) take picture
6) move around object until you have photographed all aspects.
7) Detach string from subject and wrap arounf pole.
8) Detach camera.
7) input pictures to 123D catch.
9) Done!
1. The object would appear to be moving in relation to the background.
2. The lighting would change from shot to shot, and the shadows would move.
Other scanning techniques (structured light, laser) are less subject to these constraints, but have their own limitations in terms of cost/accuracy/ability to capture a texture.
I have tried to use 123D catch with a turntable and did not work even after giving it several tries.
Then I found the trick and the turntable method worket very fine.
I used a colored surface with large pattern for the turn table. I clicked photos with such angles that the background other than the turntable does not get into the photo. Also focused it nicely so that, the background was totally out of focus
Your method seems to be very useful one.
but clicking photos by holding the camera by hands, doen't give bad results in 123D catch. If you click photos with progression near 10% (90% prev data, 10% new data), then you can scan the objects with very sharp details.
Well, thanks for nice instructable and the design.
Please post the scanning videos and scanned object pics too!
you could attach background to the turntable---
2. The lighting would change from shot to shot, and the shadows would move.
The lighting should probably come from around the camera, in either case.
What if you built a structure or booth that the object - or even a person! - could sit in. The rig as described in this instructible would be flipped upside-down so that the axis is directly above the object (or person's) head. You could actually do a 3-D bust of an individual and from there create a mold to cast the likeness in plaster, cement or bronze!
http://www.texample.net/tikz/examples/degree-wheel/
and a pointer to the base and boom?
having your photos accurate to within a part of a degree can't hurt any, and might help? If 123D can compensate without issue... the small addition may also make the rig useful for something else?
20-30 pictures, twice = dead AA's for MY camera anyhow.
Without needing a flash, it'd handle 60 image captures without even losing a bar of battery...
If this didn't matter, then it would be a simple matter of putting the target object on a turntable.
The degree wheel is an excellent idea.