Introduction: Home Made Ink From Nature: Perfect Purples
Perhaps you value knowing a little about the provenance of your food, consumer goods, etc. - if so, have you ever pondered over the origin of the colouring of your clothes, or perhaps how paints are made for creating art?
I first got into making dyes for t-shirts when I was a kid, from cabbage, and using bleach to tie-dye. Since then, I've become a dad, so am enjoying revisiting some of these 'classics', but as I have a background in chemistry and engineering, I tend to get into it a bit more than time permitted at primary school!
This is by no means an exhaustive Instructable to making ink, but I think what it has value in, is the angle for kids. I've selected plants which are edible, and this takes out a lot of the inherent risk of dye making with chemicals and compounds you absolutely wouldn't want in your household saucepan! Purple is also one of the best colours to start with, as it can be easily derived from 'safe' things like grape skins (dark) to onion skins (dull), to sloe berries (pinky-puple), or more vibrant beetroot or red cabbage colours - which will change with pH.
Indeed, it was a happy coincidence to see this Instructables Contest (Rainbows) pop up - so it prompted me to enter. Please kindly vote if it was useful, be it for Violet or Indigo ;o)
NOTE ON EDIBLE PLANTS AND INGREDIENTS IN KITCHEN PANS!
If you are wanting to get into more serious ink/dye making with kids, I would suggest you get a pan that you *never* use for cooking food in. I actually have this for making Black in from Galls, but the point is you don't want to have any toxins or such get into your dinner. Please use all care and supervision when using hot pans, etc. with kids. And yes it will stain your clothes and hands. You know the score ;o)
Supplies
You will need:
Saucepan (thick base), Scissors, Fork/Masher, Funnel, Tissue Paper.
Paintbrush or Dip-Pen and Paper to paint on.
Honestly, I'd have a go with the basics and see if you like it...
If you are really pleased with the result, then 'upgrading' to fancier stuff is reasonable if you want better results.
Optional Extras:
Gum Arabic - thickens and clarifies the ink: https://amzn.to/2XjPqsd
Wintergreen Oil - preserves it longer: https://amzn.to/3k3j3HP
Cloves - preserves it reasonably well: https://amzn.to/3k3jdPr
Filter Papers - if tissue is not strong enough: https://amzn.to/2PiNdJ2
Indian Ink - for artwork: https://amzn.to/2PkAk1f
Ink Pen - for drawing with ink: https://amzn.to/2BUVIag
Bristol Board - less prone to warping than paper: https://amzn.to/3hZsPsJ
Credit - I have learned a lot from various blogs, but this has been a terrific purchase and gives much more on the history and techniques of ink making. It's not a detailed chemical handbook, but does certainly get you started.
Make Ink: A Forager’s Guide to Natural Ink-making https://amzn.to/3k3jXUJ
Step 1: Hunting for Inky Plants
As this is a beginners guide to making ink, it's simplest to assume that most of the time what you see in nature will either yield a dye of that colour, or it might be a little lighter/washed-out.
As mentioned earlier, if you are not sure of the safety of the plant, err on the side of only what you'd eat...and even then google if unsure - for example Cherries might be good to eat, but their stones are toxic.
I picked Sloes, Elderberries and Blackberries (in July/August FYI). It's a nice activity to get kids learning to identify plants but also to consider their applications (beyond just food).
A hand-full or two will do... You do not need much to make enough ink to make a painting!
Step 2: Know Your Onions - Using Scraps
A great source of ink-making plants can also be from your kitchen.... Red Onions Skins, Beetroot Peelings, and even the slightly bad/stale/bruised fruits (grapes, berries, etc) can be a perfect excuse to make something good out of.
Step 3: Equipment Check
Most of these items are listed in 'Supplies' a couple steps back, but the two noteworthy ones are:
- Gum Arabic. This is a tree sap in solution, which when added in a couple drops for a small volume of ink will add a smoothness to how it flows on the page, as well as making it clearer. This is hard to quantify, perhaps like salt in a mean - add to taste, but start with less and add more.
- Cloves. Some inks like cabbage smell famously flatulent, so adding a nice spice can help with this. However, the real reason for adding a Clove is that it has antibacterial properties, and so keeps your ink free(er) from mould. Not essential if you intent to use it right away, but needed for storage.
Step 4: Step 1: Smaller Is Better
I'm starting with Red Onion as it requires not expense, being a waste product. But it covers the basic steps for making all the following dyes.
As a general rule - the smaller you can shop, mash, grind things - the better it will be for your ink. Either in that it will release deeper colour, or that it will simply infuse faster.
Water is a 'solvent' and for it to extract colour, temperature is helpful. However, some colours you may notice will dull if you simply boil the heck out of it for hours, so as a rule try to keep to a gentle simmer when you have time.
Don't worry about having too much water, this is often better than too little, as it means the solution does not 'saturate' quickly (i.e. you can get more colour chemicals 'out' - and reduce later).
Cooking time varies quite a lot, but you're looking for between 5-10mins when the colour is leaching out of the ingredient you added, and is not looking much more intense. Then it's 'done'.
Step 5: Quick Filter
One can invest in fancy chemistry filter papers, or coffee papers, but I've found a simple 2-ply tissue will do fine for most cases.
Fold the square tissue in half, then do it again, so it forms a smaller square. You will then have 4 'leaves' of the tissue paper at one corner, separate them to be 3 on one side and 1 on the other as shown. This is now a 'filter' and you pour liquid into this.
Tip is to trim the edges, as shown to keep from flopping into itself.
Step 6: Steady Does It!
Probably the best tip to speed up your process is to allow the mix in the saucepan to sit for 1min, and allow any sediments to settle. Carefully tip the pan, and allow the liquid to slowly flow out.
Avoid pouring in the very last of it, as this may have grit, or other stuff you don't need blocking your filter paper.
Step 7: Reduce
Like those beverage adverts you see - 'triple filtered' is a good thing!
Give the pan a wash first.
Then, adding the liquid 'filtrate' back to the pan, gently simmer for a further 5-10 mins until you've reduced the volume of the liquid has reduced to about 2/3 or 1/2 of what it was, or to the intensity of the colour you want.
(side note - you may want a deeper colour, but it might be too thick, in which case you may need to add a solvent like alcohol to thin the liquid, but keep the colour intensity).
Step 8: Thicker
Gum Arabic will make the ink thicker, glossier and more 'flow-y' - i.e. easier to work with on the paper.
It's about $5/£4 per small bottle like this, but worth it if you imagine doing it more than a few times.
A few drops to say a 20ml yield of ink is plenty I find, but add to your preference.
Step 9: Clove-Power!
As mentioned earlier - 1 clove for 100ml of un-reduced liquid will be fine. It will stop mould and funk building up in your ink if you store it. Keep cool tho.
Step 10: Testing
As much as I recommended a paintbrush, for comparative tests (i.e. not art) I actually used tissue paper in tweezers, as this meant no washing/cleaning, and gave consistent flow between tests. Oddly, it was quite nice to work with, and allows some different techniques...so play around with what works for you =)
Step 11: Blackberry Ink
As with Onions...smaller is best, so mashing with fork helped.
Other than that, the same.
Step 12: Elderberry Ink
A terrific colour!
Some care needed to avoid eating the berries or indeed stalks (as they are toxic), but again - use your judgement on this. It is not hard to separate the berries from the plant, but just be aware this is important.
Step 13: Sole Berry Ink
Often called Buckthorn. The Berries are often used for Gin making. (Excellent btw!).
In this case I actually slightly regret mashing these up so vigorously. I realise in hindsight the better move would have been to scald them, and then slip the skins off - and just use the skins...the fruit (green) was too much of a conflicting ingredient in the ink, and diluted it from what would have been a dark purple I guess.
However, as is much of the 'way' of ink making, this was an unexpected 'win' in that the colour was really unusual, and it 'changed' colour on the page with time as it dried. This is common with more 'organic' inks and it's very much trial and error, even when you have read-up a lot. It's arguably part of the fun - and probably the closest we get today to feeling like an Alchemist!
Tip - for very 'pulpy' inks, a better pre-filter is Japanese Tea Bags, (last picture) as these strain out the water well, but you'll need to re-boil and filter through tissue again to get a clearer ink.
Tip - In hindsight this seems obvious, but Lavender didn't give a good purple ink, as even though the flowers were vibrant, they were overwhelmed by the green parts. In weight, it was probably like 1:9 so pointless! Worth considering with other plants what parts are actually doing the 'colouring' and what should be removed. One can appreciate why saffron only uses the stamens.
Step 14: Black Grape Ink
Probably my favourite, and arguably I'd not have 'figured it out' to use the skins with no fruit, has the sloes not thrown me a curveball!
The colour is just wonderful, and very permanent (as my stained t-shirt can attest!).
Probably the most vibrant and exciting purple ink I've made!
Step 15: A Rainbow of Purple...
You may have done this at school, but you can make Cabbage (and Beetroot) ink change colour by adding acid or alkali to it. I've not yet gotten around to this, but in theory one could make all the colours of the rainbow from these base inks.
To get yellows and such you need to hit ph14, which is like drain-o....so not one for the kids. So hence leaving this out. And it'd probably eat your paper of your painting in a few days! One can appreciate why dye-making is such a fine art, when you consider these inks will fade, change colour and perhaps smell funky....the things we take for granted, huh! ;o)
Credit for above (last) photo: https://rosieresearch.com/natural-ph-indicator-cabbage-beets/
Step 16: Chasing the Perfect Purple...
I guess the preference of the perfect purple is your prerogative.
Puns over to you...
Step 17: All in a Day's Work
It was quite quick to do this, and I was surprised that the process can be sped up by boiling one ingredient while the other is being filtered. I got this done in about 2 hours all in (excluding my not-amazing drawings! I will stick to the making and leave the artistry to you folks on Instructables!)
Step 18: Arts, Crafts & Gifts
I had great fun doing this, and even though I'm no artist, there was something nice about seeing the ink flow and react on the pace, and together. It got quite into it!
And it even made some nice cards for birthdays, etc.
What will you make?
Please share any tips and tricks below?
Best wishes,
Jude
More at http://www.judepullen.com/ or if you like seeing more projects for kids, I post half-baked ideas here sometimes also: https://www.instagram.com/boredsmart/

Grand Prize in the
Colors of the Rainbow Contest
28 Comments
Question 4 months ago
Could you give some recipes for making inks for drawing with a pen or painting with brushes onto paper, using ingredients like Logwood, Brazilwood, Coreopsis, Dyer's Alkanet, and ingredients like that? But FOR INK. I can only find instructions for using these ingredients to dye wool, silk, cotton etc. But I just want to make inks for 'arting' with.
I have done some eco dying with these kinds of ingredients but never got around to using the Logwood, Brazilwood etc as I went off and boiled and crushed select flowers and berries from my garden instead.
I've made Pea Flower ink, Blackberry, red onion skin, turmeric, paprika, cherry, fruit tea ink, yesterday and today. Think I'll try Aubergine tomorrow.
Can you help?
I can't find any good reds or purples in my garden and here in the UK there are no pokeberries. Help?
Answer 4 months ago
Hi Fran,
Thanks for the reply and some lovely images! I did actually test my inks using dip pens and brushes - and I think the 'secret' is Gum Arabic.
Regards your request for recipes, I would honestly consider getting the book I mentioned. However, to try and be helpful in the interim, what I can say I took from the book is that extracting pigment from things, be it for 'arting', calligraphy or dyes, is all fundamentally the same. The only real difference is in that dyes need a 'fixative' and often need salts of various types to make the dye chemical 'stick'. The other aspect is colour fastness/permanence - and this is less about the recipe and more about the inherent stability of the chemical itself. Having read the book, much of the philosophy is similar to walking, fishing or creative pursuits - the process is the joy, and although you can get 'better results' with commercial dyes, if you enjoy the 'surprise' of the process, this is what you should embrace.
If you are after 'good' reds - may I suggest Madder - which you can buy quite cheaply as root, or if you have 2 years to spare, plant it yourself. If you wanted to 'get better results', then aside from commercial, I really found the Cochineal was just a lovely colour (though sadly not Vegan, FYI).
I'm intrigued by how the Aubergine may turn out, but like Onion, be aware that it may have a colour which changes and fades. It seems often a clue is how much it stains your chopping board - haha - as Turmeric as any cook will tell you lasts ages!!
Hope this helps, and many thanks for sharing your thoughts and images. Keep me posted! =)
https://amzn.to/42UXU8P
3 years ago
can you eat it
3 years ago
Thanks for sharing! If these dyes were used for painting or writing, do you think there would be issues of attracting ants or such with the berry based ones?
Reply 3 years ago
So the 'inks' are in fact 'fruit sauce', so they do likely contain sugars, which a bug might find appealing. That said, when they dry they are so dehydrated that it's not particularly palatable for an ant, is my guess. Also, adding Clove will likely be a deterrent, as most spices are bug-repellant by design. If in doubt you can spray with a fixative which will likely mask any scent / block access.
Good question though. I'd say don't use if for The Book of Kells type stuff, but art projects should be fine ;o)
3 years ago on Step 18
Wonderful natural inks. I have made this so many times and used for colors, but could not think of posting especially for 'Colors of the Rainbow' Contest. Good luck!
Reply 3 years ago
Thanks! I agree there truly is a ‘rainbow’ of natural inks out there- but purple seems a great starter colour to perfect the process and avoid any fancy chemicals and all listed are edible (so don’t need a ‘special’ saucepan).
I’ve certainly got the bug for it now and start eyeing up all sorts of things now and wondering what they will yield.
Question 3 years ago
as in for writing
Answer 3 years ago
Yes - depends on viscocity - add more/less Gum Arabic.
Question 3 years ago
could this be used for a calligraphy pen.
one of the dip ones, that you dip in a pot of ink?
Answer 3 years ago
Yeah - I used that at the moment - works great!
3 years ago on Introduction
Love this, I'd like to make dye for fabric & wool one of these days so found it a fascinating read. Had not considered extending that to my art/ crafts... and purple is my favourite colour 😁
Reply 3 years ago
Wood is certainly a great place to start, but if you get more into it, you can also dye silk wool too. As per a different comment, below, lightfastness is of course less good with natural inks, but this is why I think purples are a great primer, as they are the most vibrant of 'easy' inks to make (with the exception of Walnut / Galls - but these require a bit more chemical skill (i.e. not with very young kids!)). Have fun and do share any fun results!
Reply 3 years ago
Thanks 😁 luckily the only kid is the very big kid posting here and now! I shall enjoy the link on lightfastness too, especially as I've dabbled with plenty of art materials, some of which are said to be more long lasting to than others and so to broaden my knowledge on that will be interesting. Thank you for the advice, this will go on the 'to do' list. 👍
3 years ago
This is really great! I hope I can try it soon.
Reply 3 years ago
=)
Please do share any concoctionss!
3 years ago
Really cool and important trick for Red cabbage ink — the hue depends greatly on the pH level of solution. Add citric or acetic acid to drive it to the red side of spectrum, or add baking soda to lean more to blue and green hue.
Reply 3 years ago
It's a great trick, and almost quite mind-boggling the more I realise I have to explain this to my son...even with a chemistry degree, I still find the atomic physics of it all quite astounding, and that people figured it all out!
3 years ago
These are great! I also love your drawings.
Question: do you have any idea of the lightfastness of these inks? Or how they work with silk (minus the gum arabic)? I do dye silk with natural dyes (from bark or mushrooms or insects, etc.) but I would love to be able to create more of my own dyebaths, especially a fantastic purple like you're getting.
(side note: sloe berries are used in the ingredients for a Sloe Gin Fizz or Sloe Gin, they give it a flavor and reddish color-gin itself is flavored with juniper berries! I used to be a bartender)
Reply 3 years ago
Glad you liked the guide!
The short answer is 'it's complex' regards lightfastness. This blog is helpful: https://www.thepaintboxletters.com/post/botanical-...
(As well as I book I mentioned, above).
The best bets are simply the *stronger* the original colourant, the more likely it is to last over time, so things like Walnut and Gall Ink are very stable, but of course if you use say Rose Petals, one can appreciate this 'delicate' pigment is less stable.
Salts and Acids like Vinegar can be used to make ink more vibrant, but I left this out of this guide, as it's a bit more 'pro' to get the amounts just right. But I can say that a bit of sea salt gives a wonderful shimmer to dried inks, and makes colours pop.
And yes - I'm a bit Sloe Gin fan. Nothing better in a heatwave like now, with kiddo at home - haha :p