Introduction: How to French Polish
French Polish is a traditional finishing technique used by luthiers and woodworkers. Often times people find this technique intimidating because the preparation and process is usually more time consuming than other finishing techniques.
Fear not! This instructables will show you the basics of french polish. With a little bit of practice and patience, you can do it too.
Step 1: Preparing the shellac
Step 2: Wood surface preparation
Step 3: Make the finishing pad
Step 4: French Polish
Step 1: Preparing the Shellac
Before we do the actual polishing, I would like to talk about the finish. The finish itself is a alcohol based finish called 'Shellac'. Shellac is a resin formed from lac bugs in south east Asia. The resin is processed and sold as dry flakes(see picture). There are many different shades of shellac flakes available online. The color varies from gold amber to deep brown caramel. I bought my shellac flakes through this company.
To make the finish ready for french polish, you'll need:
1.Shellac flakes
2. Denatured Alcohol
3. A couple of glass containers - one for mixture, and another for filtering.(I use mason jars in this case).
DO NOT USE METAL jars.
4. old t-shirt cloth or stockings (Used as a filter)
'Pound Cut' is the unit that describe the weight that shellac flakes is 'cut' into the alcohol.
Generally '2 pound cut' shellac is a good place to start because it is not too thin or thick to apply. 1 pound cut is used as final finishing when you only need another thin coat to finish the piece. 3 pound cut is used as a sealer or primer before painting because it is thicker and it builds up the protective surface faster. If you want to use shellac as primer or sealer for painting, make sure you buy dewaxed flakes.
To find out the formula for different pound cuts, click here.
Once you gather all the materials and measure the amount needed for alcohol and shellac flakes, you can start the mixing process. *Notice that when you receive your shellac flakes, the sizes of flakes varies in the package. One good tip that helps the shellac dissolve in alcohol thoroughly is to grind shellac flakes into finer powder before you dump it into the alcohol.
After the flakes are grind, you can then dump the flakes into the alcohol. Close the container and shake the mixture thoroughly. In order to have the best mixture result, I let the mixture sit for a day or two so that all flakes are dissolved in alcohol completely.
During cold days, place the container in a hot water bath will help the dissolving process. DO NOT USE DIRECT HEAT for this.
When the mixture is ready for filtering, grab another container. Place a piece of old t-shirt cloth or stockings on top of the new container. Make sure the fabric is big enough so it doesn't fall into the jar during pouring. Carefully pour the mixture into the new container. At this point, you should be able to see any small flakes or dust stay on the fabric. After filtering, the shellac is clear and ready for use!
A new batch of shellac can be used for 3 months. I wouldn't keep the shellac for over 3 months because the quality of shellac changes due to environment changes.
--What if you don't want to make your own shellac? There is pre-manufactured shellac you can buy in your local hardware stores that are ready for finishing. However, the store-bought shellac is usually a lot thicker than 2 pound cut shellac. It needs to be diluted with alcohol before using it. Also, manufactures usually put other chemicals into the mixtures so the shellac last longer.
What I like about making my own shellac is that it doesn't have that heavy chemical smell as store bought shellac, and it is so much easier to apply it during french polishing. Thus, taking time to make your own shellac definitely pays off because the end result is much better.
Step 2: Wood Surface Preparation
For any woodworking project, surface preparation is always important if you want a good finish result. French polish works in a way that the finish gradually builds up over numerous sessions, so any dents or scratches is much more evident on french polish surface.
The process of surface preparation depends on what the wood is for, and the sheen of finish you're going for. Generally if it is a furniture project, I would sand from low grit to high grit, 'pre-raise' the grain with a damp cloth. Then do another sanding before applying shellac. For open grain wood such as walnut, oak, or ash, sand to 400 grit before french polishing. For closed grain wood such as maple, I would sand it to 600 grit. These number of grits is enough for semi-gloss finish. If you're going for a high gloss finish, sand the piece to 600 or 800 grit. It is important to examine the piece in between different grit to make sure no heavy marks are left from previous sanding.
If the piece you have for french polish is a musical instrument such as violins or guitars, the surface preparation is much more critical because the ultra high gloss finish really shows any imperfection from sanding. In between each grit, wipe the surface with damp cloth. This way it allows the wood to 'pre-raise' the grain thoroughly. Repeat sanding and damping, then sand it to 1000 grit.
Step 3: Make the Finishing Pad-pt.1
Last step before french polish is making the finishing pad. You will need old t-shirt cloth for this step.
The finishing pad consists of two part: inner cloth and outer cloth wrap.
Pictures shown here are the steps to make the inner cloth. The purpose of having an inner cloth is to make the pad solid and easy to absorb shellac. The method I use here to fold the inner cloth is from my personal experience. I find this method works best for me. When you fold, make sure the bottom is flat and you don't feel any creases translated through the fabric. If the bottom is not flat and is uneven, it will create an uneven finish surface during french polishing. The shellac will also have a bigger chance to get stuck on the wood if the pad is not folded correctly.
Step 4: Make the Finishing Pad-pt.2
After you make the inner cloth, place it in the center of another fabric.
Grab all four corners towards the center. Gather all fabric into the center, and wrap the inner cloth completely.
Twist the fabric in the center tightly together.
You want to make sure the inner cloth is not wrapped firmly in the center.
Tie a knot after you twist the fabric together.
It needs to be a firm knot so the fabric doesn't slip out during french polish.
Pound the bottom on a flat surface a few times so that the bottom sits firmly flat on the wood surface.
Now you are ready for french polish!
Step 5: 'Charge' the Finishing Pad
Materials you'll need:
-Shellac (In this case I made a batch of 2 lb. cut shellac)
-Lubricant oil (any household oil works well. I use virgin olive oil here)
-A couple of pipettes (For drawing shellac and lubricant oil onto the finishing pad)
-Wood piece (All sanded and ready for finish)
First, you need to 'charge' the finishing pad. That means you will need to use a pipette to feed shellac onto the bottom of the pad. The first time you charge it, it takes a while because the pad is totally dry. Keep charging the shellac until you feel the shellac coming through the bottom and it making the fabric damp. It takes a few times to know the right amount of shellac you should use. A good way to test it is to pound the pad on the back of your hand. It should feel damp but not too wet.
After the shellac is fully charged, put a few drops of oil and rub it out evenly across the entire bottom of the finishing pad. The purpose of lubricant oil is to prevent shellac from sticking onto the wood. A few drops goes a long way. If you put too much oil, it takes longer than it should be to build up the thickness of shellac.
Step 6: French Polish
After you charge the finishing pad and it is ready to be used, you can start the french polishing; finally!
Gently move the finishing pad across the surface with small circular motions or figure 8 motions. Remember that once you start polishing, never stop at mid point. If the shellac is running out, move your finishing pad toward the edge of your wood in circular motion as well.
The first session you do will give you a good sense of how much shellac you should put each time and how much lubricant oil should be used. If the finishing pad gets stuck easily, that means you either charge too much shellac at once or put too little oil to allow the pad moves smoothly. Adjust the amount of both ingredient accordingly until you find the best balance that works for you.
After one session is done, examine your piece under a light and see if there's any scratches or uneven shellac build ups. To fix the unevenness, take a 800 grit wet-and-dry sand paper, sand the surface with soap water. You should be able to see that all the high spots are sanded and eventually the surface is flat.
Make sure to sand between each session in early stages, so the shellac builds up evenly. As you move forward to multiple sessions, switch sand paper to much finer grit(1000 or 1200) so the sand paper itself doesn't create scratches on the finish. Shellac dries really fast comparing to other finish such as lacquer or oil based finish. It usually dries in 5 to 10 minutes after you finish a session, but I like to wait for about 30 minutes before I sand the surface.
If you want to achieve a high gloss finish, a good thickness of shellac finish can take up to 30 sessions or even more.When you're doing the last few sessions, switch to 1 pound cut shellac. There is no need to sand in between at this stage. The purpose of 1 pound cut shellac is to provide the high gloss finish touches rather than building up the thickness.
In this instructables I decided to demonstrate with figured maple because the unique grain pattern really pops after french polish.
21 Comments
Question 3 years ago on Introduction
Hi,
I have an old ebony grand piano which is about 100 years old. It is very shabby and needs a repolish. I would usually spray it with a good quality automotive paint, but as I don't have the facilities and drying room, this option is out of the question. The area where this piano is stored is also limited, so french polishing would be the ideal solution.
The surface of the piano is not polyurethane. I don't know what they used all those years ago?
If I prepared the surfaces well and used a black spirit/water base stain to patch up some damage, could I use light shellac flakes to french polish this piano, giving me a professional finish please?
Your suggestions are appreciated please.
Many thanks,
Brian
3 years ago
Great instructable! I think i'm going to use this method on my next acoustic guitar build.
5 years ago
Great build... I was going to use this method on a river table build that I might upload to instructables one day... But then I heard that French polish isn't very protective and has a high upkeep, is this true? Tvm
6 years ago
Is cheese cloth that has been folded multiple times OK for filtering?
Reply 6 years ago
Aalso, does the french polish have to be within a certain temperature range? If so then please, do tell.
Reply 6 years ago
Hello,
Cheese cloth is totally fine for filtering. As long as you fold it multiple times and the fibers are small enough, it should work just as well as old t-shirts.
When you make your own shellac, the dissolving process will slow down when the temperature is below 60 F (15-16C). You can put the container in a hot bath to speed up the dissolving process. Same with french polish, being in a cold environment will slow down the cure time.
Reply 6 years ago
so say that I wanted to apply many layers without letting the layers cure fully, and then you make grooves and cuts in the finish while it is still gummy to make some art. Putting this in a cold environment would help greatly right? is there a maximum safe tempreture for faster curing
Reply 6 years ago
To slow down cure, try isopropyl alcohol instead of denatured, since it evaporates slower. I don't know whether it works for French polish, though. I wonder whether it causes issues with the oil, because IPA is a reasonable degreaser. Don't buy it from a pharmacy, because it normally has 10-30% water when sold as rubbing alcohol. Many hardware stores have 99+% purity.
Reply 6 years ago
that sounds like a good idia.
6 years ago
Interesting. So what kinds of project do you prefer to use frech polishing over other finishing methods?
Reply 6 years ago
Hi there,
I wouldn't use french polishing and shellac for outdoor projects since it is not as durable as outdoor lacquer finish. For indoor furniture, using french polishing is just a personal preference and aesthetic choice. But if you want your project to be durable because of the usage, I would suggest to use shellac as a primer, and then put another coat of oil finish or lacquer finish.
Reply 6 years ago
"Oil finish" refers to linseed oil?
6 years ago
Don't forget to seal the pores with fine pumic powder (mixed with shellac + ethanol ca. 1:1:1) after sanding to get a perfectly flat surface. This is what enables the high gloss. Check it with light at ca. 45° angle. Also a tiny tiny(!) TINY(!!!) drip of Parafine oil in shellac+ethanol(1+4) helps the cloth to glide. Don't go too often over polished surfaces in the same go or you risk to dissolve again what you have applied (we call that "to burn"). Let it dry well before next layers (=over night). Don't EVER let the cloth stop in one place ... keep moving in 8's and O's and lift the cloth while still moving! You will be rewarded with surfaces shining like mirrors ... that's worth all efforts.
Reply 6 years ago
Would like to offer a comment or two in furtherance, not disagreeing with Mike D50- My experience is producing hand-rubbed finishes on quarter-sawed curly maple (Kentucky rifles). Whatever your medium,you should ALWAYS rub AGAINST the grain when applying your grain filler(pumice). Rubbing with Xs and Os will drag some of the filler out of the grain. I look forward to trying this method of finishing. Evidently French Polish produces a lower luster polish, as pumice colored with stain and rubbed into the grain crossways, then after it's thoroughly dry, hand-rubbed (using the ball of the thumb and/or the thumb itself), with boiled linseed oil, will produce a mirror sheen which absolutely looks like a high-gloss lacquer or shellac finish. I don't see how one could produce a higher sheen . There's nothing there but pumice, stain, and linseed oil! Slow and painful though because of the heat of the friction. The craftsmen producing hand-rubbed tables, etc. have to be using a slightly different method-the method I describe is SLOW and PAINFUL.
6 years ago
Shellac is also food safe if you want to do something that will come in contact with food.
Reply 6 years ago
That's what I like some much about shellac: it's non-toxic, has no headache-inducing smell and dries superfast. Did you know the food industry uses it to make candy shine? So you could even eat it, if your alcohol is food-safe too.
6 years ago
Interesting to see this old technique explained. I get satisfactory results from applying shellac with a brush and sanding in between coats. But I'll keep this Instructable in mind if I want a high gloss finish!
6 years ago
Interesting how the term "pound cut" came about.
Once again in establishing the term it was decided. In years past, the gallon or 128 fluid ounces was "chosen" as the base line. Then to define a pound cut the weight of shellac was used to define a certain viscosity or ratio of shellac to alcohol.
Why the simple weight ratio wasn't used rather than using the "gallon" as a baseline intrigues me.
i.e. a 2 pound cut is simply a 4 to 1 solution, a 1 pound cut is simply an 8 to 1 solution by weight.
Anyway I like your article. Unfortunately I have never used shellac in my woodworking. Perhaps I should delve into this finish.
Thanks for presenting your work and techniques with this finishing material and the nuances associated with its use and storage..
6 years ago
looks geeat! What percentage alcohol is used?
6 years ago
Consider Bekhol for your shellacs -vs- denatured alcohol - you will get much longer shelf life from it. I have read it is also less toxic than the denatured, but I don't know that that statement is backed with evidence.
Te LMI shellac is good stuff - but overpriced IMO.
I've bought several varieties from these guys ...and they are awesome for the price. No affiliation whatsoever - just passing on the info. It's the cleanest I've used - I don't even bother filtering the light varieties - they are water-clear. I use a 1/2# cut of their "super blond" as a seal coat / sanding coat on everything I do.
The 8oz jelly jars from your local big-box retailer are perfect for shellac. While you're there buy a large bag of marbles - and drop them in jar as you use the product to 1) raise the fluid level for easy access to the shellac and 2) to allow less air in the container to prolong the life of your shellac when stored.
JMO, of course - but if you get flakes (as opposed to pucks or chunks) the grinding is really not necessary unless you need shellac "this instant" - I've never had flakes remain undissolved if simply agitated for 15 minutes and/or left overnight.
Attached image is what I did my last guitar top with :)